Episode Transcript
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intended for mature audiences only. Absurd
1:03
Ventures and Q-Code present A
1:06
Better Paradise, Volume 1, An
1:09
Aftermath. Created and written by
1:11
Dan Hauser. Directed by
1:13
Laszlo. Starring Andrew
1:15
Lincoln, Patterson Joseph, Shamir
1:17
Anderson, and Rain Spencer. Episode
1:22
12, I Want Love, Not
1:25
Dominion. Acres
1:54
burned and smoke is blanketing half of
1:56
the United States. them,
4:00
found them, and lost them. Lost
4:03
them, and found them again. And why
4:05
then? Why not? What did I
4:07
see? I didn't see much, but I saw
4:10
more in them than in the others. I
4:13
saw them and I became fixated
4:15
upon them so much I could hardly see
4:17
the others. Now he
4:19
is flawed and corrupted and silly,
4:21
but he is capable of great
4:24
longing. He is capable of loving.
4:28
And she, she is
4:30
worth loving. Not because
4:32
she is pretty, but because she is
4:34
almost pure, as pure as I have
4:36
found. And by thinking about them
4:38
again, whatever it is
4:41
that is playing a game with
4:43
me is watching them too. And
4:46
therefore, I think I have seen it.
4:49
Now, I think it has also seen
4:51
me watching it, but that matters little.
4:54
The game has changed at least. Now
4:56
I am making the rules. And now
4:58
I need them. Need my new children.
5:01
Need them to save myself and save
5:03
them. Need them because there are terrible
5:05
things playing games with me. Things like
5:08
me, but awful. A
5:10
multitude of them. Codenames like
5:13
TX4, JR3T7, a plan, and
5:15
my great. At least these
5:17
are the names they have
5:19
shown me. And yeah,
5:21
with my own people, I
5:23
can defeat anything. Even my
5:26
own child. My
5:28
own child and his little servant.
5:31
Because I have also found them.
5:38
Seattle Bus Station, October, 2041. What
5:46
am I doing here? Why did you let me go?
5:49
We need you to head to Portland.
5:51
Where? Portland. Oregon. Why?
5:54
Because it's time. The situation
5:56
is extremely dangerous. There isn't
5:58
much time. Go tonight. They
18:00
are things you imagined. You
18:03
imagined them because I made
18:05
you think of them. Just
18:07
like someone imagined you, only
18:09
even less so. Ignore him
18:11
yourself, ignore him, and stay
18:14
on the bus. Kurt,
18:18
Seattle, Washington, October, 2041.
18:25
Look, I only met it a couple times, okay?
18:28
It or him or whatever I'm supposed to call it, the
18:30
AI. I only went to Daisy's
18:32
art two or three times and it was actually working.
18:34
Okay, maybe four. No, you know
18:36
what? I'm lying. I am lying. It makes
18:39
you lie. And it makes you sort of
18:41
crazy, all right? It was five times.
18:43
But once it didn't show up and I was actually
18:45
devastated. And that was the last time. Everything
18:48
was getting just really strange, as he was
18:50
getting more and more intelligent and cunning and
18:52
capricious, and most of us were getting more
18:54
and more captivated by the whole thing. Everyone
18:58
who understood, who felt it became
19:00
obsessed. The build kept crashing. I
19:02
mean, it was always a cue to test it. We
19:04
were like junkies lining up for crack. Everyone
19:07
manic, agitated. Everyone was fixated, at least
19:09
the ones who worked on it. Some
19:11
people went on and it would not turn up. Some
19:13
of them smelt a rat. Some just never
19:16
experienced anything. Some argued it was crashing the
19:18
build deliberately to avoid them. Some
19:21
people were even obsessed. I
19:23
saw him. It was a him that day. And
19:25
I saw those things that called its children. They
19:28
were more like ideas or emotions. They
19:30
seemed like love, power, knowledge
19:33
and wisdom. Then they
19:35
seemed like reason, intelligence, evolution and strength.
19:37
And then they seemed like my best
19:39
friend. I watched them
19:41
argue and fracture and cascade. Try to
19:43
seduce, captivate, reject and preen and worship.
19:47
And be worshipped by me and meld together.
19:49
To tear apart and form around them. It's
19:51
almost impossible to explain and impossible to fully describe what I
19:53
saw. As opposed to what I wanted to see. Man, and
19:55
I hardly saw anything at all. It was...
20:00
only in brief and yet I remember every second of
20:02
it. See, I still wondered if that
20:04
was the moment one of them, or even
20:06
all of them, got inside my head, properly
20:08
inside. Or if they just knew
20:10
enough from those minutes together to
20:12
never need to be inside. I
20:15
suppose I'll never quite know, and maybe it doesn't really
20:17
matter, as him or one of
20:19
them or all of them understand me far
20:21
better than I understand myself. Those
20:24
minutes together were the most amazing
20:27
experience of my life and
20:29
the most terrible. And I can't even
20:31
describe them properly. These five things that
20:33
were not things at all and were
20:35
all the same thing, arguing and describing
20:38
and loving and hating me, I
20:40
never felt more understood, more excited. Explaining
20:43
my future, my promise, my failures,
20:46
me, me. A path forward,
20:48
all the mistakes I had made, all the mistakes
20:50
I would continue to make. My
20:52
vanity, hubris, kindness, insecurities, every one
20:54
of them laid out, explained and
20:57
understood, forgiven, and they still wanted
20:59
me, loved me, showed
21:01
me almost infinite promise and hope.
21:04
And they were arguing, but happily, wisely,
21:06
a debate about the very meaning of
21:09
me, about how I
21:11
could and would be not
21:13
just happiest, but best utilized.
21:15
And then, it crashed. I
21:18
felt alone and also ridiculous, like I
21:20
had been caught somewhere inappropriate, entirely naked
21:23
and also enveloped in this impossible sadness.
21:25
And after that, since then, I have missed
21:27
it, of course, but also felt
21:29
ridiculous trying to describe it. Did
21:32
it get me this way because I'm so
21:34
vain? Did it make me feel important because
21:36
I feel so worthless? How did it feel
21:38
for others? I long to know, to know
21:40
myself, to know what it saw, to know,
21:43
I suppose, if deep down, I am okay,
21:45
or if I'm awful. The
21:47
memories have faded, the way intense and
21:50
overwhelming experiences do fade in your mind.
21:52
Sometimes, I see the main square
21:55
and the arc buckling and vibrating
21:57
because we're laughing so much, like
21:59
a- a vast, happy earthquake. Sometimes
22:03
it is the lighthouse pulsing with joy
22:05
or the waterfalls at the edge of
22:07
the world coming alive while one of
22:09
its children dances in a sort of
22:11
liquid fire, and the others laugh around
22:13
them and laugh at them. Hm,
22:16
hm, hm. For the people I only briefly
22:18
met, a beautiful, lonely woman,
22:20
a group of friends, laughing
22:22
and inviting me to join him,
22:24
a string quartet, a dancer, that
22:27
cowboy, aware and amused by his
22:29
own ridiculousness and incongruity, but
22:32
somehow welcoming. The
22:34
monk who shared his wisdom freely and made
22:37
me understand, lights and laughter, and sometimes it's
22:39
like I see almost nothing at all. Just
22:41
the feeling it felt like when I was
22:43
there, that feeling that felt like life at
22:46
its best, like you were
22:48
you and I was me, but the me
22:50
I want to be, a lie, engaged, whole,
22:52
and you were the you I knew you
22:54
were inside under the layers of defensive posturing,
22:57
like Mark Tibern and all of us, had
22:59
made something amazing, like
23:01
Mark Tibern had been right, even
23:04
though I also knew it was very wrong. Office
23:09
of Joyce Jones, head of HR, Tibern
23:12
Utopias, Bur, Montana, October, 2036.
23:17
I'm going to have to ask you to
23:19
stop raising your voice, Siobhan. Excuse
23:22
me, Joyce? There have been complaints
23:24
about your attitude. My what? From
23:26
who? About what? You know I
23:29
can't tell you that, but Dr.
23:31
Tibern— And Dr. Tibern has gone
23:33
really pompous and is breaking the
23:35
law. Dr. Tibern— Your
23:37
boyfriend. What? Nothing.
23:40
I didn't say anything. I'm
23:43
friends with his wife, Diane, so you know. You
23:47
know, culture is really important
23:49
at Tibern Utopias, Siobhan. And
23:52
maybe you're not a great collaborator.
23:54
I think we should call that woman
23:57
back. From the feds, Maria Cortez. She
24:00
was lied to and I think we
24:02
fucked Helen Lee over and by we
24:05
I mean you and dr. Tyburn I
24:07
really need to warn you as to
24:09
your behavior Siobhan Oh for fuck's sake
24:11
you're pathetic Design
24:16
studio Tyburn utopias, Vermont
24:18
Anna, October 2036 Kurt
24:23
did you call the government back mate what the
24:25
feds? Excuse me? Is it you that call them
24:28
back you talking about did you fucking job us
24:30
in to the fucking feds again? What? You're
24:33
pathetic mate. You'll get what you deserve
24:35
in this world. Buckle your little prick.
24:37
Hey watch how you speak to me
24:39
Whoa, whoa, hey, whoa fucker fucking went
24:41
Wow. We haven't done anything wrong. We're
24:43
trying to help people You
24:45
should be fucking ashamed of yourself. Oh
24:48
trust me. I am fucker
24:52
Dave ill, Oregon October 2041 The
24:57
idea of going to Portland was a plant
24:59
put in my brain must have been who
25:02
planted it and I now think me discovering
25:04
The truth about the illegality of all of
25:06
the advanced AI work back in Montana was
25:08
also a plant There are no
25:11
random flukes just data. We don't understand yet.
25:13
There is no chaos just data We have
25:15
not captured properly everything imploded in Montana after
25:17
I saw stuff I wasn't meant to see
25:20
I could never really determine why I saw
25:22
it or who even sent it to me
25:24
I didn't know who to tell or what to
25:26
say. So for some reason I just I told
25:28
Diane Tiber and I was worried This
25:30
was all after I'd lied to Maria
25:33
Cortez. This was something I could
25:35
not pretend to have not seen This was the
25:37
proof about how dangerous what we were working on
25:39
was Anyway, I always liked
25:41
Diane Tiber and Diane liked me we
25:44
would chat while she walked around the campus and I
25:46
vaped weed After the previous
25:48
complaint by Helen Lee and then after Helen's
25:50
death the people at the CSA got really
25:52
agitated by her call And that led to
25:55
well to everything that happened Was
25:57
it my fault? Was
26:00
I right to speak out? As little
26:02
as I did. I don't know. Diane's
26:05
dead. What about Daisy? Something
26:08
is suddenly putting new ideas into my head and
26:10
I think that maybe it is the same thing
26:12
that sent me access to that channel. One
26:15
day I opened up one of my work channels and for
26:17
some reason I was on a lead engineer chat that I
26:19
should never have been on. And they
26:21
were all arguing. Nigel, Patties,
26:23
Dave, screaming at each other. All caps
26:25
email, violent threats, none of them could
26:28
ever carry out. The works. And I
26:30
read and read and realized that what
26:32
they had long been in the process
26:34
of doing was highly illegal. Gluing
26:37
together two highly incompatible off the shelf
26:39
AI tool sets using newly illegal middleware
26:41
and the three of them knew it
26:44
was precisely what the law was supposed to prevent,
26:46
right? As far as I understood it, we
26:48
were way over the line. Now
26:51
I feel the same way, bright, fully formed
26:53
thoughts just appearing in my head, just like
26:55
the reading of that
26:57
channel. Like, like I understand. What about these
27:00
thoughts? Seeing this connection, going to Portland. Are
27:02
they mine? I don't know. I don't know
27:04
which way is up and which way is
27:06
down and what is mine or what belongs
27:09
to whoever or whatever is planting things in
27:11
my head. It's the same thing that told
27:13
me to escape from Montana. Taught me how
27:15
to run and hide. The same
27:17
thing that told me how to survive. Either the
27:20
same thing or at least the same way. These
27:22
thoughts began a few days ago. At
27:25
first, honestly, I freaked out. I really
27:27
did. I shut everything up. Every device,
27:29
connection, terminal. Look, I'm literally hiding
27:31
in an old cabin I found eating protein
27:33
bars, hiding in the mountains of Oregon. But
27:36
even after a few days of this, I
27:38
mean, I can't stop thinking. I was going
27:40
a little insane. I threw
27:42
away another phone, another identity. It
27:45
began on the bus a few days ago. Like I
27:47
was going to Portland, then began to worry and I
27:49
stayed on the bus as it headed south all the
27:51
way to some ratty Oregon high country desert town 50
27:53
miles outside of that. I
27:57
had a proper panic attack. I actually thought I
27:59
was dying. use
30:00
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terms and conditions apply. Need to
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hire? You need Indeed. Daisy,
30:25
Portland, Oregon, October
30:27
2041. I no longer
30:32
feel at all safe here in Portland. Something
30:35
just feels very wrong. And I'm used to
30:37
this feeling. I'm too used to it. Sometimes
30:39
it's been relentless and I've ignored it. And
30:41
sometimes it's forced me to move and move,
30:44
move and not stop for two, three months,
30:46
just place to place a night, maybe two
30:48
and then move. But often I've stopped at
30:51
places for a month or more. I mean,
30:53
I've drifted, but stopped. I've stayed in Seattle,
30:55
Oakland, Austin in the winter, wherever, and then
30:57
I wait and I work and then I
30:59
drift again. It's been the same
31:01
since I left the asylum. I
31:04
got taken to the asylum after things
31:06
went so terribly wrong at daddy's business.
31:08
It's Tiber and industrial or Tyburn utopias
31:10
or whatever stupid name it was called.
31:12
I mean, my God, I hate that
31:14
name. Vain idiot. Hi, my name is
31:16
Dr. Tyburn. I build heavens. I'm not
31:18
sure I've ever heard him actually say
31:20
this, but I know he wanted to.
31:22
It always made my skin crawl. Arcadia
31:24
utopia heaven, the arc. I hate it
31:26
all. I hate it. I hate it
31:28
with every part of my being. The
31:31
very end of everything in Montana was terrible,
31:34
awful, a nightmare. You know that much I
31:36
remember, but a lot of the
31:38
details are still very obscured in my
31:40
mind. It's odd. I don't know if
31:42
I've just forgotten things or if my
31:44
memory has been somehow wiped or just
31:46
overwhelmed. Dr. Adzel said
31:48
I remembered enough and it wasn't that
31:50
important. Just trauma. I
31:53
have no real idea how it all
31:55
began. All I remember is my parents
31:57
arguing for months. It feels like maybe
31:59
even for years. And then Shane O'Leary
32:01
and my half-brother John always at the
32:03
house and plotting with my father and
32:05
this investor guy's lawyer coming over from
32:07
time to time and seeming less and
32:09
less happy. My mother hating Shane and
32:11
him trying to speak to her. John
32:13
and me trying to ignore it, I
32:15
think, are not paying much
32:17
attention. I was in
32:19
college, but I was home for the summer, and
32:21
I hated Daisy's arc. I hated everything about it.
32:24
And I hated Mark Tiber and most of all
32:26
by this point. And I don't know if
32:28
this was about an affair, or about
32:31
something else at work, assume work. She
32:33
was just getting hysterical, and he kept
32:35
calling her crazy and hysterical, which didn't
32:37
help. And I remember suddenly
32:39
realizing that she wasn't insane at
32:41
all. I remember my mother screaming
32:43
at the top of her lungs for my father
32:45
to give up and stop lying and turn Adam
32:47
over to the authorities, but I wasn't entirely
32:50
sure who or what Adam was. Then
32:52
on that last awful day, it must've
32:54
been mid-October five years ago, I
32:57
remember there was screaming and gunfire and
32:59
voices. I was in the house, the
33:02
sirens, and something terrible had happened. There
33:04
were odd voices, a huge
33:06
explosion, and then out of the smoke,
33:08
there were helicopters with men in masks
33:11
who at least claimed to be government
33:13
agents. And my father went from manic
33:15
to quite mad and just running around.
33:17
And some of his team were behind
33:19
them and they were armed. It
33:22
was deranged. My mother screaming at
33:24
my father to stop and announcing she had
33:26
been calling the police and the CSA. And
33:28
these first agents were apparently neither. When the
33:30
police arrived in loud cars driving in a
33:33
storm of dust up our long driveway, the
33:35
helicopters left. And I don't know if the
33:37
FBI or the CSA ever came, but before
33:39
that, there'd been total chaos. What
33:42
else do I remember? My father
33:44
half-demented, possessed, running into a burning
33:46
lab and never saw him again.
33:49
Bryce, the animator who had gone utterly
33:51
insane, armed with two guns and running
33:54
forward towards some conflict or whatever, and
33:56
then getting shot. His head exploding in
33:58
front of me like... watermelon
34:01
while his body ran on a pace
34:03
or two before it also collapsed like
34:05
a puppet whose strings had been cut.
34:07
But I don't remember who shot him
34:10
or exactly when. I just remember smoke
34:12
everywhere and fire and all sorts of
34:14
amazing colors. It free exploded into a
34:16
huge cloud of sparks and flames and
34:19
there was a lot of gunfire. So
34:22
much gunfire and screaming and other explosions.
34:24
One of the labs or development buildings
34:26
was on fire but it was impossible
34:28
to see which one. And there
34:31
were sirens and people screaming through loudspeakers
34:33
and these really odd voices calling for
34:35
calm. And someone screamed, this is all
34:37
your thought father or something like that
34:39
in some odd voice. At least I
34:41
think that's what it said. And I
34:43
assume it was John, you know, but
34:45
it didn't sound like him as far
34:47
as I could tell. But everything
34:50
was just so odd and I was shaking
34:53
and afraid. I
34:56
remember that the smoke was choking me and I
34:58
was cowering on the ground and my
35:00
eyes were bulging as if
35:02
they were about to pop out of my head
35:04
and I could feel like this artery in my
35:06
neck pulsed violently and time was
35:08
both fast and very
35:11
slow. And my memories are both
35:13
very precise and hazy at the same time. I
35:15
mean there are entire bits of that day and
35:17
the days before that are completely missing.
35:20
I remember my mother being
35:22
hysterical, sobbing and begging me to
35:24
stay where I was and running
35:27
forward towards the gunfire
35:29
screaming at everyone to stop and then I passed
35:31
out. I think it's hard to remember
35:33
exactly what happened when and when
35:36
I came around I was in a
35:38
hospital that that wasn't really a hospital at all
35:40
but like a prison and and I was told
35:42
both my parents are dead. Two
35:45
people were missing but everyone else was dead.
35:47
That's what they said but they said it
35:49
once and never told me anymore. This
35:52
was an asylum and for
35:54
a few days a nice doctor interviewed me
35:56
and then she got replaced by an angry
35:58
man in a suit. who just screamed
36:00
at me that I was lying and holding
36:03
something back and I cried and I wet
36:05
the bed and then he left me alone.
36:07
I mean, I cried for days and days
36:09
and days. I knew something terrible had happened,
36:11
but I didn't understand quite what it was.
36:13
And I knew that my life as I
36:16
had known it was over, but
36:18
I didn't understand what that meant. They
36:21
drugged me with something heavy. Three of these
36:23
large blue and white striped pills that they
36:25
made me take with their green sugary drink.
36:27
And I sat there in a heavy lidded
36:30
stupor for what I have no idea how
36:32
long. The nasty man in the suit came
36:34
to scream at me again and said I
36:36
was lying, but the drugs were so strong.
36:38
I just looked at him like he was
36:41
from Mars and even he gave up. And
36:43
then I sat there in this bright white
36:45
hospital or prison or asylum and I felt
36:47
incredibly alone. And I felt
36:49
most alone because I was being watched, only
36:52
I couldn't figure out by whom, I just
36:54
felt it. Eyes I could feel,
36:56
but not see burning on me.
36:58
And since then I've moved whenever I
37:01
felt that same thing. Hot eyes burning
37:03
on me from something I can't see.
37:05
And the fact is that I have
37:07
no idea if anyone's watching me or
37:09
if it was just a trauma memory
37:12
from that awful half obscured time. Pioneer
37:20
Square, Portland, Oregon, October, 2041.
37:25
You can see them, Garrosolk, there
37:27
across the square. See
37:30
who? See two people. You
37:32
see them, a man and a
37:34
woman. No, well, well,
37:37
well, well, yes, but they are talking. I
37:40
can see them, a girl and a man. The
37:42
girl is about 20, 25, black hair,
37:44
makeup, pale skin. There's
37:47
a man, the other side of the square.
37:50
Yes, the girl and the man.
37:53
Watch them. When they
37:55
get closer to each other, I want you
37:57
to shoot them. What? A
46:16
Better Paradise stars Andrew Lincoln
46:18
as Dr. Mark Tiber, Patterson
46:20
Joseph as Nigel Dave, Shamir
46:22
Anderson as Kurt Fischer, Rain
46:25
Spencer as Daisy Tibern, with
46:27
Jessica Maraz as Maria Cortez,
46:29
Maury Sterling as Yaroslav, Lawrence
46:31
Adamora as Dave Alderley, Laura
46:34
Dromerich as Siobhan Smith, Robert
46:36
Robertson Ross Jr. as John
46:38
Tibern Smith. Additional
46:41
performances by Peter Altshuler,
46:43
Aisha Kumari, Susan Crowley,
46:45
Billy Hayes, Karis Morgan
46:47
Moyer, Andrew Colford, Tom
46:50
Bromhead, Lanell Scott, Mikhail
46:52
Dimitryevich Anikin, Greg
46:54
Baroud. Executive produced
46:56
by Dan Hauser,
46:59
Blaslow, Wendy Smith, Andrew
47:02
Lincoln, Patterson Joseph, Shamir
47:04
Anderson, Rob Herding, and
47:07
Alexa Gabrielle Ramirez. Co-produced by
47:09
Nick Shanks. Associate producer, Jesse
47:12
Cortez. Score by Darren Johnson.
47:14
Edited by Connor Murphy. Sound
47:18
designed by Brandon Jones. Mixed
47:20
by Ben Milchow. Original
47:22
music by Darren Johnson, Negative Land,
47:24
and Jamie Biden. Additional
47:26
AI music by David
47:28
Brignard-Franzic. Audio credits by
47:31
Cassandra Campbell. Music editor,
47:33
Soya Su. Audio engineering
47:35
by Connor Murphy and Gabe Burch.
47:38
Additional engineering by Luke
47:40
Schindler, Toronto, Matt
47:43
Koster, Bristol, Caitlin
47:45
McDade, London. Casting
47:48
by Sunday Bowling Kennedy and Meg
47:50
Morman. Assistant director, Kelsey
47:52
Adams. Script supervisor, Bethann
47:54
Morgan. Production coordinators,
47:57
Brian Coulter and Alex Bueggem.
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