0:00

If more of you is support of the show I'd be

0:03

less sick of podcasts. Bye!

0:06

Hey, the Blobody Blot. The Blobody Blot. Send

0:09

it now, good vibes. Send it

0:11

to Blobody Blot. Good vibes. Good

0:14

vibes. Good vibes.

0:18

Good vibes. Underneath breaths of deep gratitude

0:20

and prayers for guidance and protection. And

0:23

put on a teachery-do and stomatic drumming

0:25

track. Shivers or vibrations and stuff

0:27

like that. Time

0:48

to okay

0:55

guys welcome back to the Grand rot

0:57

show coming at you this

0:59

week with Sheila Robin

1:01

Zosa talking about some

1:04

music and and pinch

1:06

and 3d 3d

1:09

waveforms and it kind of ties in with

1:11

some of the Terrence Howard stuff that's going

1:13

around and the Malcolm Bendall stuff of course

1:16

she was at cosmic summit and

1:18

then of course we got everybody's favorite

1:20

podcast to hear back at home base

1:22

in Saskatchewan maybe worse off back home

1:25

but worse off logistically it

1:27

would seem like ram

1:29

my computer smarter than me done

1:31

love and just having issues

1:33

with the mic and the speaker so hopefully the

1:35

mic lasts for this whole intro but it's

1:38

not recognizing my speaker is recognizing it

1:40

just does whatever it wants I mean

1:42

it's really I've never seen anything like

1:44

your computer just yeah it's

1:48

so crazy I'm

1:51

gonna have some tech help here soon enough in

1:53

the next couple days here so hopefully I can

1:55

make it from the hammer yeah

2:00

It's like a week return time. He's the worst

2:02

fucking handler ever. It's like, yeah, I get back

2:04

to my computer and everything. So we'll see, but

2:06

I'm sure he could, he could get it. This

2:11

is going to be months. You're in Saskatchewan now and

2:13

he's already a mail in it to him. Are you

2:15

bringing it out here? How is this working? Don't

2:19

let him know where your new house is. Yeah. Yeah.

2:22

You moved. He must. Yeah, he does. So

2:26

are you guys going to meet up? What are you going to do? No,

2:28

no, I'm going to get an access to my computer. Oh,

2:31

remotely. He's going to remote. And

2:34

put in the handler spyware.

2:36

Yeah, that's okay. So

2:41

you'll be all fixed up. Well, I don't know.

2:43

I hope so. I mean, I don't have access to my

2:46

files and stuff now too. So, I mean, luckily a lot

2:48

of the stuff we do is internet based, but of course,

2:50

you know, now there's weird glitches happening. I, I

2:52

just had to upgrade my computer and get some more space

2:54

in the hard drive so we can back up all our

2:56

material. And now you're fucked for doing

2:59

audio books. I got a new air gap. Well, I

3:01

mean, the other thing is the audio settings are weird

3:03

too. I'm coming in hot all the time. So I

3:05

got to re I think I have to recalibrate the

3:07

mixture now. I guess that makes sense probably with a

3:10

different video card. Right. Does that

3:12

make sense? I

3:14

don't know about that. Yeah.

3:16

Paul, why am I hot now? All of a sudden? I

3:20

don't know. You're not hot to me. Okay.

3:22

Well, I was many

3:24

times before. Well, that was

3:26

just a brat. I mean, you come in hot sometimes

3:28

you get excited. So what happens is you do all

3:31

your tests back here. Like, Oh, I'm grabbing the podcaster

3:33

and then you get in here. You're all revving your,

3:35

you're like an inch off the mic. And,

3:38

uh, probably, probably,

3:40

but I don't get yelled at for. So

3:47

I guess it's, uh, I still think

3:49

you could use another prop filter, but Okay.

3:52

I'll throw another one on there if you think it's really important. That's

3:56

not going to help your technical woes. So I clean

3:58

this one. It got all like,

4:00

you know, they need to. I don't need to. I

4:02

don't need to hear about your dirty pop. That's what

4:05

nobody wants to hear about that. You

4:08

should save it all up, scrape it out, save it

4:10

all up in a little dish. I don't

4:12

know if they can fit. I don't know if we can fit

4:14

on there, but between this stand and stuff,

4:16

though. Right now, I need a little mini. I guess a

4:18

little mini one like that. Yeah. Well,

4:21

many, many. So just order

4:23

one cheap one from Amazon. Yeah.

4:26

Yeah. Put a sock on it. I

4:30

might do that. I

4:33

mean, it seems fine on the books, but

4:35

sometimes when we're podcasting your SSD coming a

4:37

little sharp. Well, I noticed

4:39

the piece came through on the on the book. Yeah. You know

4:41

what I mean? Like the post. It really

4:43

is when I do the book.

4:48

It's got

4:51

that list to go. It's kind of got a

4:53

weird list behind like. I

4:55

get away from you sometimes. And

4:58

so it's just the subtle tweaking of

5:00

the sound setting. Someone could make you sound like

5:02

a real fag. Yeah, I

5:05

wouldn't do that to you, luckily. So you're

5:07

good. Her. So

5:09

you're back in home base. It's hot as

5:12

fuck in Alberta. I guess everyone's freaking out

5:15

Lord Paul. I mean, we should give some

5:18

sense, some some love out, some good

5:20

vibes, some good vibes

5:22

out to Lord Paul, who's

5:24

been forcibly evacuated

5:26

from his from his ward.

5:30

So last night. Not

5:33

only that, I mean, he's going through a lot of

5:35

stuff like he's been going through a lot of stuff,

5:37

he's handling handling it like a champ. But now, of

5:40

course, he's got to. To

5:42

vaccinate, so. What?

5:45

That's right. Evacuate. As

5:52

I say, that's fine. That's

5:54

terrible. I thought I had a text

5:56

from him and I was thinking about

5:58

something else. Um, that's a

6:01

good thing. Well, these are few

6:03

Lord Paul for America salutes you

6:09

Oh, it's not working I Hope

6:35

everything works out good and And

6:39

You're back home safe and sound I

6:42

got an email to read too from Kenny's he's I

6:45

mean This isn't really like this is just sort of

6:47

a I'm gonna sort of skip through some of this

6:49

But I mean, I think he's gonna like I'd like

6:51

to know what he thinks about Sheila's episode

6:54

here Because he's been

6:56

writing me about Jerry and Terrence and Malcolm

6:58

stuff He says I have more to elucidate

7:00

regarding the law of one I'm paying attention

7:02

to the people through Instagram other media platforms

7:04

for the feedback loop on Jerry and Terrence

7:06

And you know what? I wanted to ask

7:09

Sheila about that too, but we'd gone so

7:11

long. I thought I Don't

7:13

want to get into a whole other topic with her,

7:15

but I'm interested to see what she would have thought

7:17

about Terrence and Eric

7:19

Weinstein on Joe Rogan I've

7:23

been studying these three concepts

7:25

sacred geometry mathematics vortex based mathematics

7:27

and its relation we To

7:30

the ancients since Grade

7:34

three my first book on Giza, however, I've

7:36

stayed silent in the background sleeping for many

7:38

years I have a

7:40

lot of interrelated connected data that I

7:42

would like to slowly share So

7:46

he's saying He

7:49

learned from the same Herman the feedback loop, this is

7:51

why it is public presentation podcast my instincts are leading

7:53

me here so I Did

7:59

he send any Yeah. Any

8:01

teasers? I dropped again. Your

8:04

mic dropped again. You son of a bitch. That's

8:08

not good. We send any teasers for us.

8:10

I can still hear you. So

8:13

yeah, so he's gonna, I mean, he's gonna put his

8:15

thoughts together a little bit more on the stuff he's

8:17

learned. I mean, this is what we need people like,

8:20

like, like Sheila was saying, this is an

8:22

amazing time where it's coming forward to, uh,

8:24

to the whole world here. It really can't

8:26

be stopped. I don't think, I mean, outcomes

8:28

moving ahead. This has obviously gained

8:30

some, some ground after being on Jerry and

8:33

guys like Bob Greenier doing tons of, tons of

8:35

good work on this. And

8:37

yeah, so interesting times. You

8:41

think she's coming around? I

8:43

think so. But I

8:46

mean, who knows? It's gonna, if the great reset's

8:48

gonna beat it, you know, it's gonna be like the

8:50

great, like consider this part of the

8:52

great awakening or whatever, you know, is

8:55

it like Sheila talks about it's, it's very

8:57

spiritual as well. And it kind of has

8:59

to do with us manifesting our own reality.

9:01

I think it's important to keep all this

9:03

in mind, but, but they're also

9:05

going to be sort of clamping down soon. So we're going

9:07

to see what's, what it's like. You

9:09

think they're gonna clamp this shit down

9:12

soon? I mean, the great reset, I

9:14

mean, people are sort of fear mongering,

9:17

fear mongering right now. Well,

9:21

fear mongering, it ain't flat, bitch.

9:24

You know, I

9:27

don't know, but if everyone knows

9:29

this, but we got another YouTube

9:31

strike for one of our grammatic

9:33

outlawed episodes with, with Brad Binkley.

9:35

Of course, people want to

9:37

check that out. They get over grammaticoutlawed.ca. There's

9:40

250 free episodes over there. People can

9:42

check out now. All there, all for

9:44

free. More value. When

9:48

are we going to go to Facebook jail? I

9:51

think we got another like nine days

9:53

in Facebook jail and

9:55

another like two or three days. I got

9:57

to double check if it was two weeks.

10:00

ban on the YouTube strike or one week

10:02

ban. But that just came

10:04

through like three days ago. So maybe by next

10:06

week, but I don't think we'll be able to.

10:09

I'll double check, but I don't think we'll be able to string

10:11

a round up tomorrow. Which

10:14

is a shame for a few around of fan course,

10:17

that's over at America. A lot of

10:19

that's a. In

10:21

the meantime, we need you guys to head

10:23

over to grimerica dot C.A. slash support and

10:25

sign up for some support. I mean, we're

10:27

just talking about Lord Paul. He's one of

10:29

our one of our wardens of

10:32

gram America that has donated a ton of money and

10:34

help keep us in business. He's one of the people

10:36

that you guys need to send good vibes to because

10:38

if it wasn't for guys like him, this

10:40

show would not exist anymore because,

10:44

you know, it's a labor of love, but it's also

10:46

value for value. It's very expensive. It takes a lot

10:48

of time and now we put

10:50

it out into the world trying to add some

10:52

value into your commute or to your work day

10:54

or to your workout. And

10:57

in on the on the understanding that

11:00

at least at least one

11:02

or two and one hundred of you

11:04

fucks will find some value in the

11:06

product and a ground in like

11:08

that and send some value back our way over

11:10

at a gram America dot C.A. slash

11:12

support. And we need honestly, we would need two

11:15

or three, you know, at

11:17

least two or three new signups a

11:19

month just to keep up with attrition

11:21

between the PayPal cancel randomly and

11:23

the credit cards expiring and not

11:26

being renewed. And just

11:28

people cancel them because they can't afford or they

11:30

don't like the show anymore. They've got sick of

11:32

our shit. Maybe maybe you're sick of

11:34

it. Maybe everybody's sick of it. But

11:37

if you're not sick of it, let

11:39

us know because it does start to

11:41

feel that way. Some days, every gram,

11:43

America dot C.A. slash support today

11:46

and send us even five bucks, you know, 10

11:48

bucks. We'll read you know, send

11:50

us more. We'll read you note to we'll love

11:52

even more. And let us know that

11:54

we are loved and that there is at least a

11:56

little value in this thing that we're still doing. And

11:58

there's people out there that are. getting some value. So

12:02

we do have a new nobleman at least to mention

12:04

that sign up. Jason

12:07

Talbot, Jason Talbot, the noble. Thanks

12:09

for the five 55 US donation. Appreciate

12:12

it. Yeah, that's monthly. That's a

12:15

month. Thanks. Thanks Jason. So

12:17

we appreciate you. Thanks for

12:19

doing that. And hopefully YouTube will

12:21

last back up. Can

12:24

we stream our little outlawed tomorrow on the

12:26

other channel? We have a little sort of

12:28

other YouTube channel there. I think today's on

12:30

the channel. So maybe yeah, yeah, I streamed

12:32

to when I figured out that Fortier.

12:35

Fortier? For

12:37

me. For me it was Canadian. I

12:39

streamed it to there. So yeah, that's

12:41

what we'll do. That

12:44

might be part of the reason to start transitioning. All

12:47

righty. Okay. So we're probably going to stream

12:49

the first half of our Grimerica outlawed, round

12:51

up tomorrow on our little backup

12:54

YouTube channel. Everything little. What is your fucking?

12:56

You got this. Everything.

12:59

Everything should be big deep. Huge.

13:06

outlawed Canadians on YouTube. If

13:08

you want to catch that

13:10

probably. Maybe

13:13

I'll put it in the show notes too. Just

13:15

so. I figured you did already. Like, oh yeah,

13:18

I did. Yeah. It's always in the show

13:20

notes. Yeah. Sorry. Couple of little things go

13:22

viral over there. Some of our anti-Canadian government

13:24

stuff. So back on the list. Bingo.

13:53

Bingo. All

13:57

right. Headed over to no place. other

14:00

than the YouTube's

14:03

for this one. I'll just head over to

14:05

the America YouTube account

14:07

and see what's new from the trolls.

14:11

It's been a while, so my Internet is

14:13

being. In

14:16

a bit of a prick, of course. So

14:20

can can you still hear me? I

14:22

can still hear you. OK. All

14:25

right. That's good stuff. I'm just trying

14:27

to open up the back end of the YouTube

14:31

account. It doesn't seem to work, but

14:33

there we go now. It's good. Well,

14:36

I was saying, maybe it's gone

14:38

gone. How many strikes we have right now? One only.

14:40

I think we only have one again. Yeah, I think

14:42

we only have one. Um.

14:47

So where should we go to here? Oh,

14:49

man, there's so much. There's so much excellent

14:52

interview on use of as one.

14:56

Here we go on the ethical skeptic

14:58

state of things pandemic. Week 51. I've

15:02

read dozens of ethical, ethical skeptic

15:04

articles on his site. He's either

15:06

intelligent or has a

15:09

linguistic ability to be as

15:11

like no one in history

15:13

is intelligent enough to understand

15:15

logic, philosophy, mathematics, geopolitical

15:18

events. Nonetheless, it

15:20

appears he's foolish enough to purchase

15:22

mediocre guitars. Not named

15:24

Gibson. And

15:27

it's also got I think he's also been

15:29

a successful businessman. He's got a team. He's

15:32

probably got a team of people helping him out or

15:35

small team, at least. Shopify.

15:42

From our buddy, 100 percent,

15:44

maple stir up on our

15:46

Gramerica Outlaw Round up

15:49

last week, Slope Roo. It

15:51

was staged not by Donny

15:53

himself, by the entire establishment. Who

15:56

knows? Trump will make the best

15:58

Ronald M.C. Donald is. already

16:00

beloved, this puppet play

16:02

of a shooter will help to

16:04

lionize them, lube up

16:06

the public for the new hero pres. So

16:10

obviously when these NWO make a

16:12

play, someone died

16:15

who said the Gov that did

16:17

Afghanistan, that's funding the Gaza shit.

16:19

Now they'd never lie. So,

16:24

yeah, actually, there's a ton of comments on

16:26

that. I'm glad that's kind of the stuff

16:28

we get into like tomorrow night and usually

16:30

usually Wednesday nights in our in our outlawed

16:33

episodes. Just

16:36

here we go together. 664

16:39

with Jordan Collin. Fascinating

16:42

discussion. Thanks, chaps. With

16:45

regard to the JRE pod with Terrence

16:47

Howard and Eric Weinstein, I think Graham

16:49

was bang on with his assessment of

16:51

Terrence being handled. I don't

16:53

trust Weinstein at all. He's

16:55

a master manipulator. My name,

16:57

my name manipulator from

17:01

those glass eyed detectives from

17:04

Pete Stronik. Thank you

17:06

two so much. And you're right, Dan, grandma,

17:08

grandma, could deserve support as soon as I

17:10

get pain. I will do my bit. You

17:12

have my word. So,

17:16

oh, let's do this one more on Tycho's, because

17:18

I actually think we're going to have Simon on

17:21

right away here. I'm just trying to work out

17:23

a weekend with him because

17:25

he's nine hours ahead. As

17:28

so many ancient maps show what the

17:30

earth is like, a stationary world flat

17:33

with the plains and mountains, both over

17:35

and under the waters with

17:37

a dome over it. Why it is

17:39

so ridiculed or inconceivable to see the world

17:41

we live in as such. Oh,

17:45

I really want to know. Now.

17:50

You know, there. Isn't

17:54

that his last one I'll do. Wow,

17:56

this is the first time where the connects. This is

17:58

on Malcolm Bendal. Uh, wow, this

18:01

is the first time where the connection is actually good

18:03

and the audio is flowing and Malcolm is going on

18:06

a lot of various subjects as well as

18:08

with the plasmoid tech, I

18:10

like how y'all let them talk out and get

18:12

his thoughts into the net without much interruptions because

18:15

it's been a little rare to hear from

18:18

him directly like this besides

18:20

the Foxhole podcast with George Howard.

18:23

Right. Thanks. We

18:26

tried to let him go. Here's

18:28

another one from Jordan. Jordan

18:31

Collin Terrence has a couple ideas worthy

18:34

of investigation. Frankly, even Malcolm would disagree

18:36

with Terrence on his view of

18:38

math. Uh,

18:40

yes, Jordan, I thoroughly enjoyed this chat

18:42

lads. Thanks for bringing them on. Jordan

18:44

mate, you're doing such incredible work. Keep

18:46

it going. I

18:49

saw some science article that talked about how

18:51

they played certain tones, vibrations

18:53

and frequencies to a pool of

18:55

mercury. And

18:57

the liquid metal actually produced plasmoids.

19:02

Wow. That's fascinating. I've

19:05

seen some graphene oxide, uh, self assembling graphene

19:07

oxide move, but I don't know if it's

19:09

moving to sound or not. If

19:12

this was a scam, it would not only be

19:14

the most elaborate scam I've invented. Would

19:16

also be hurting a ton of good, decent people

19:18

and ruining their reputations and it would be devastating

19:20

to people like me who believed in

19:22

them too. Unless Malcolm

19:25

was planning on leaving the planet with his

19:27

dolphins. Then I doubt very seriously, get away

19:29

with a scam of this scale.

19:32

People would be pissed. Ah,

19:34

that's not from Jordan himself. I even got

19:36

Starlink, so it wouldn't be choppy contested.

19:40

My Starlink's been working great lately, but I'm in

19:42

the Northern hemisphere. So maybe you'll get good, good,

19:45

uh, good connection in your

19:47

summer. Anyway,

19:50

I think, uh, I think that's it. Let's

19:54

do one more on Jim Harold. Love when you

19:56

have Jim, the pod father Harold on your show.

20:00

Come on, Adam Curry's a pod father. He's

20:02

the one who led me down the podcast

20:04

rabbit hole, went from Jimbo to Micah, all

20:07

about me, me, me, thanks,

20:09

to expanded perspectives, to my

20:12

personal favorite, Grab America. Honorable

20:14

mentions to the higher side chats. Where

20:17

did the road go and snake rose? Awesome,

20:19

awesome ensemble of podcasts

20:22

there. I know you guys

20:24

are pretty brooked out, but maybe consider having Jim on

20:26

more often. Just look at how engaged

20:28

Darren is from the start. I

20:31

love it. Anyway,

20:35

let's leave it at that, I think,

20:38

eh? Grab america.ca/support motherfuckers, support the show,

20:40

please. Did we talk about our trip

20:42

and hunting? We didn't

20:44

get into that. We should talk about that

20:46

quick, because we're over halfway there

20:48

to the Randall Carlson trip. So if you want to

20:50

get in on the map, the

20:53

last flood line, the last, mega

20:58

flood tour for a little while, the last time

21:00

we're going to Scablands for at least a couple

21:02

of years, we're gonna go check out some other

21:04

places that

21:07

we'll announce soon enough. But

21:09

if you want to get out here and do this

21:11

flood tour with us, get out

21:14

there and do it. Head to contact at the

21:16

cabin.com, we're running out of spots. That's all inclusive.

21:18

You just get to Spokane, hang

21:20

out with Randall for a week. We'll take care

21:22

of everything, drive you, feed you,

21:25

get you back to the airport for your flight. And

21:28

you can just rub shoulders with Randall Carlson for

21:31

a week straight. So we're hoping to get

21:33

a couple, we're hoping to get some people

21:35

from the last time, some last trips. We're

21:37

talking to a fellow we went to Egypt

21:39

with, and Keith was there last time at

21:42

the Scablands, but I guess you weren't there,

21:44

so you didn't meet him. So it'd be

21:46

nice to get them over again. Hopefully they

21:48

can make it. It's gonna be a good

21:50

one. The Columbia Gorge in September, it's gonna

21:52

be beautiful. Randall has promised

21:54

to do his moon presentation

21:58

and disclose some stuff we haven't. her before.

22:00

And so, you know, we're going to

22:02

do a couple hours of crazy moon stuff. This is,

22:04

you know, you can't hear this anywhere else. If you

22:06

want to see this stuff, he's been talking about some

22:08

other podcast, kind

22:11

of expanded on and fucking

22:13

Floria. You're going to want to

22:15

catch that. He'll only do it, you know, privately.

22:19

And I think we might be watching

22:21

a harvest moon rise, harvest moon rise

22:23

with Randall. I

22:26

mean, now, I mean, how can, you know, well,

22:28

he goes, and that's the night we're going to

22:30

do the moon talk in, uh, in, uh, a

22:33

Fino or Fino or Fino

22:35

Idaho, just outside of Lewiston

22:38

on the river. We're going to

22:40

do all that. So it's going to be good. You guys want

22:42

to get a part of that contact at the cabin.com. Then of

22:45

course in November, uh, we got

22:47

the thing with, uh, one and only

22:49

Brad and Powell right up at the top of the mountains

22:51

and in Vermeer, we're going to go

22:53

through to Canada's best national park

22:56

and I think it

22:58

is, uh, is it, you

23:00

know, we had this

23:02

conversation last time and Paul texted post fucking

23:04

retards, but anyway, they're magnificent and

23:06

we'll be at the top of a legit

23:08

mountain. We'll be eating wild

23:11

elk meat all weekend and wild

23:13

antelope hunted and, uh, you

23:15

know, dealt with by me. We did it last

23:17

year. Everyone loved it. Uh, it

23:19

was a real good time. So there's some spots

23:21

left for that. It's going to be amazing. Uh, November

23:25

7th to 10th. And of course there is some cool

23:27

add-ons for that too. So if you get to that

23:29

page and you want to come hunting with us for

23:31

four days before a couple of days

23:34

of duck hunting, a couple of days,

23:36

uh, antelope or deer hunting, uh, what

23:39

it'll be is the two days of duck hunting. You'll get

23:41

to shoot. Uh, we'll supply the stuff,

23:43

licenses, guns, we'll figure all that out for you. And,

23:46

uh, you can hunt ducks and grouse for a couple of

23:49

days. We'll just go to round,

23:51

uh, Southern Alberta doing that. And then

23:53

we'll take a couple of days and we'll go, uh,

23:56

drop an antelope or a deer actually

23:58

for my freezer. And, uh, Not

24:00

for the trip like you won't show I gonna show

24:02

that'll be it That'll be a little like we'll probably

24:04

take a bit of it out just to like the back

24:06

straps Maybe or the tenderloins, but for the most part

24:08

you're gonna want that to age out a little bit

24:10

for me Before we dive

24:12

right into I mean some of it we will for sure

24:14

we'll bring some for sure Probably the

24:16

heart if it's still In

24:19

case we did the heart stinks last year when

24:21

loved here, but that says that's extremely limited

24:24

space There's only a few spots for that So

24:26

it's all inclusive again You can add it on

24:28

or you can do it stand alone if you want

24:31

to come just do the hunting and not come

24:33

to The mountains and do everything else the Wim Hof

24:35

and all that stuff I will be going like in

24:37

the in the natural hot springs and the cold plunging

24:39

right next to the hot natural hot springs in

24:41

The river probably do the lake plunge again and do

24:44

that breath work with with Brandon's amazing and and

24:47

it'll be and we'll have like a

24:49

little party to karaoke and stuff and And

24:53

the optional Sunday add-on Sunday

24:55

fungi With Brandon

24:57

Powell doing some breath work and all sort of

24:59

that stuff with some Some

25:02

plant medicine of the

25:04

of the mushroom variety. So that's

25:06

Brandon's pretty excited about that So I've never done that

25:08

sort of thing. I can try that out So if

25:10

that's something you want to add on you can add

25:12

that on you don't have to You

25:14

can add some of it on you can add none of it on you

25:17

just do the Bread

25:19

and bones to her which is great in itself. We

25:22

had a great time last year. Yeah, that grab said

25:24

we did the karaoke Growns

25:26

karaoke was pretty terrible. Consider both you came out

25:28

of his shell. He really did he started off

25:30

stiff Some

25:33

pink flight was really good wasn't it? Yes.

25:35

It's up by the end. You're pretty good. Yeah,

25:37

you're free to get your stuff So you're stiff.

25:39

You're very rigid. You could tell you You

25:42

know, but we'll get you you just haven't

25:44

done it enough. I did big butts or

25:46

whatever, right? I like big butts My

25:49

kids got a kick out of that at least so check that

25:51

out guys contact at

25:54

the cabin calm I think that's about it spam Graham

25:57

Send them an email get your voice out there And

26:00

other than that, enjoy the... Do you have a

26:02

bio actually? She should probably do the bio. No,

26:05

I don't actually. No. I

26:08

don't think there's one available online. She's

26:11

got her Zozar. She's

26:13

a musician, like a techno

26:17

musician under the name

26:19

Zozar. Zozar. X-O-S-A-R. I'll put a

26:21

link in the show notes to

26:23

her YouTube channel. And

26:25

she's got a SoundCloud there as well. But

26:29

she doesn't have a website or

26:31

any stuff for the stuff she's working on that

26:33

she was on the show about tonight. There's nowhere

26:35

to get an hold of her for that. So...

26:39

Well, it's a good one, guys. Enjoy

26:41

the chat with Sheila,

26:43

AKA Zozar with an

26:45

X. Starts with an X. Enjoy the chat.

26:58

MUSIC PLAYS MUSIC

27:28

PLAYS All

27:53

right, we've got Sheila Raman with us. This was a

27:55

special episode I met. Sheila at the Cosmic Summit watched

27:58

her awesome presentations. And now we've got... We've got her

28:00

here for ourselves for at

28:02

least an hour and we'll get

28:04

to dig into this fascinating topic

28:06

of the plasma unification model and

28:08

also like what Sheila's been doing with

28:10

3D shapes and oscilloscopes and

28:13

sound engineering. So welcome to Cry

28:15

America, Sheila. Thanks. Thank

28:17

you so much. So nice to

28:19

be here. Yeah, this is gonna be fun. We're gonna talk

28:21

about Dan Davidson's work too, because you brought up some of

28:23

our past guests

28:26

and it's been fascinating. What a fascinating time

28:28

like you talked about Terrence Howard

28:30

before we jumped on here and what's going on with that. And

28:32

then of course, you know, you were there representing

28:34

Malcolm and I mean, even Randall Carlson gave

28:36

you a huge shout out last night. We're

28:39

recording Cosmographia with him and he's

28:41

talking about you and your

28:43

work. So it seems to be like, like

28:45

your work is visually representing some of the

28:47

stuff that people are talking about these days.

28:51

Yeah, absolutely. I think understanding

28:54

how sound creates matter and

28:56

how we can visualize sound

28:59

is kind of the

29:02

new frontier of helping us bridge

29:04

some of this understanding between

29:07

the quantum universes. Yeah,

29:09

between the ether, what happens

29:11

in the ether, like Terrence

29:13

said, all these vortex motions

29:16

and stuff and you're sort of showing this in

29:19

a visual format. So let's talk a little bit

29:21

about yourself, like how you

29:23

got into this sound engineering. And

29:26

I think it's worth just touching

29:28

on the 4-3-2-4-40 conspiracy because that comes up all

29:34

the time. And I've heard people say it's not a thing and

29:36

I've heard people say, oh, it's definitely a thing. But

29:38

maybe just that let's sort of start there

29:40

too, just to give some people some context

29:43

about your investigation into that. Okay.

29:47

Yeah, so a little bit about myself. I

29:50

am a musician first and foremost, and

29:52

I've been touring around the world for

29:55

10 years playing

29:57

techno music. I've

32:00

been focusing on for so long. So

32:04

we're talking about Dan Davidson and he has a book.

32:06

We did an episode with him back in 20, do

32:09

you remember what it was Sheila? It's 2017, 2016, 20. I

32:14

don't remember. Somewhere in that time, 2017, 2018.

32:18

And he talked about

32:20

the shape power and he talked about how

32:22

Hollywood came by. And I have to say

32:24

it again, I mean, as it

32:26

says such an important part of the story. He says

32:28

these guys from Hollywood came by and

32:30

they stole his material and they didn't give him

32:32

any credit for it. And then the show away

32:34

came out and it was very much like about

32:37

shapes and the ether and everything. And his

32:39

book is called Shape Power. And he talks

32:41

about how shapes have

32:43

an energy, I guess, right? Yeah,

32:46

totally. And for

32:49

example, he discusses a

32:51

lot about how anytime you have

32:53

converging lines, such as

32:56

an X shape or a

32:58

pyramidal convergence point,

33:01

how that shape actually has

33:03

the power to shift the

33:05

electromagnetic field. And

33:07

he had worked with different types

33:09

of magnetometers and devices

33:12

that can actually scientifically detect

33:14

the shifts, the subtle energies

33:17

in the magnetic field. And

33:19

he would show that if you

33:22

create a X in the magnetic field

33:25

on a piece of paper even, or

33:27

if you put a bunch of chopsticks

33:29

into a styrofoam ball, you

33:32

can literally shift the

33:34

subtle energies in the

33:36

electromagnetic field. Wow.

33:39

Yeah, that's awesome. Darren, do you remember back

33:41

in Paradigm Symposium in 2012? That's

33:44

what John Ward was saying about

33:46

the symbols in the pyramids. When

33:49

I first heard this, Sheila, I think it was at a

33:52

conference very similar to, actually, I was telling

33:54

George how it was very similar to, we

33:56

met Micah Hanks there, one of the co-hosts

33:59

at the, cosmic summit and

34:01

this Egyptian researcher was there and it was the

34:04

first time I heard about these sort of symbols

34:06

and how they have this energetic

34:10

power and it was him talking about the symbols

34:13

in the pyramid. Totally

34:15

and this is all ancient knowledge and

34:17

we're just now starting to pick

34:20

up the pieces that the ancients were

34:22

already wielding in order to

34:24

influence reality. They were already using

34:27

symbols in order to conjure different

34:29

archetypal energies and I

34:32

mean finding

34:35

all of these correspondences is kind of

34:37

where we're at like as a civilization

34:40

just putting the pieces back together what

34:43

shape creates what energy

34:46

and yeah it's

34:48

it's a whole wormhole. What

34:51

you were mentioning briefly before we started about

34:53

the uh what what are some examples of

34:55

that like the Hebrew alphabet? Yeah

34:58

um so

35:01

in in many of these different systems that

35:05

are binding specific elemental

35:07

or atomic energies or

35:10

archetypal energies to different

35:12

sounds or different shapes

35:15

such as the Hebrew alphabet

35:17

and the Sanskrit alphabet the

35:19

Tibetan alphabet and

35:22

other ancient systems of

35:24

divination as well and

35:28

many of these systems create

35:31

this correspondence between each one

35:33

of the shapes such

35:36

as the alef which is generally

35:38

this kind of creative

35:41

masculine power and

35:43

or yang power genderless

35:47

but then you have usually like

35:49

the second energy has to do

35:51

with a more yin energy like

35:53

a more chaotic energy

35:56

and these are just a couple

35:58

of many examples. of

36:02

expansion, contraction,

36:05

which different sounds and

36:07

different shapes are able to

36:10

conjure. So... Randall's

36:13

been talking about that Hebrew alphabet

36:15

too, Alana. Darren, how it means

36:18

so much more than just the

36:20

alphabet, you know, it means numbers

36:22

as well. Exactly.

36:24

And we're now just starting to

36:27

find the scientific

36:29

correspondences. And

36:31

I'm not sure

36:33

if you're familiar with the work of Stan Tynan.

36:37

I don't think so. He

36:39

has an organization called the Meru

36:41

Foundation, and he was doing videos

36:43

since the 90s. And

36:46

I came across his work years ago. And

36:50

the first time I came across his work was

36:52

the first time I was introduced

36:54

to the idea that the letters

36:57

in the Hebrew alphabet are

36:59

actually oscilloscope renderings

37:03

of that actual sound

37:06

and what it's doing in the aether. Wow.

37:09

So how did somebody figure that out? Or how do

37:11

you improve that? So

37:14

every sound is represented

37:17

in 3D. And

37:24

thinking about an XYZ oscilloscope and

37:26

how this is like a kind

37:28

of a rough rendering

37:30

of these properties of sound, then

37:33

we can just barely start to

37:35

get an understanding of the visual

37:37

properties that each sound inherently has

37:40

in it. For

37:43

example, the XYZ

37:46

oscilloscope represents

37:48

three parameters for

37:50

each of the axes. One

37:53

is time, one is

37:55

frequency, and one

37:58

is amplitude. So

38:00

time and then frequency or you

38:02

could also say pitch and

38:06

then the loudness

38:08

or the energy charge. And

38:12

so if you take any sounds and

38:15

you map it into a 3D grid it's

38:17

going to have a visual

38:19

representation of those three properties

38:22

so that we can see a little

38:24

bit more about how that sound looks

38:27

in the aether. Would

38:30

it look anything like a sound

38:32

wave does in digital audio software?

38:35

Yes, yes. It would

38:38

be like dimensionalized kind of? What's

38:41

that? It would be sort of that

38:43

wave form three-dimensionalized.

38:47

Totally, yeah. And

38:49

there are many properties to be

38:51

gathered from the 3D XYZ oscilloscope

38:54

in these audio programs you're talking about and

38:57

the actual wave propagation through

39:00

different mediums in the

39:02

aether. And it is

39:04

important to note that depending on the

39:07

medium it's going to impact the properties of

39:10

the visual aesthetics of the shape.

39:13

And even if you

39:15

just say air, there's not just air. There's

39:18

air at different pressures, air at different temperatures.

39:21

So all of these different

39:23

variables are going to influence different

39:26

aspects of how the shape is

39:28

propagated. But there are many

39:30

aspects of those shapes that are going to

39:33

remain pretty constant. Like

39:37

if you were to use different materials in cymatics kind of

39:39

thing? Exactly, yeah.

39:42

So if you have a different material for

39:44

the plate or if you have a different type of

39:46

sand like

39:48

Shenggai powder, cords powder, Sedona

39:51

Redbok, each one will propagate

39:53

a little bit differently. Fascinating.

40:00

to explain crop circles. I think

40:02

that's the context we were talking about last

40:04

night. Is that where

40:06

we went? I don't know. Vortexes came up.

40:08

It was the vortexes for making crop circles.

40:11

Totally. I think there's absolutely a

40:15

connection. And since

40:17

my research from 2018, I

40:20

have tried hundreds,

40:24

thousands of different combinations of

40:26

frequencies and observe these geometries

40:29

in the oscilloscope. And

40:31

I have reverse engineered a

40:33

couple really obscure crop circles

40:36

by finding these crazy

40:39

numerical configurations. Wow.

40:42

Really? Oh man. Okay. Do

40:45

we have time? Wait, are any of them sacred numbers? So

40:49

the way that I bring

40:51

down the ideas for

40:54

my experimentation is it's pretty

40:56

much all based on

41:01

different attempts to

41:04

understand ratios. So

41:07

different ratios create different

41:11

shapes. For example, two

41:14

frequencies that are separated by

41:17

the perfect fifth harmonic, which

41:20

would be a ratio of 1.5 or three over two.

41:25

Any of those two frequencies, any two

41:28

numbers, when you put them

41:31

into first of all, a sine

41:33

tone generator, and then an oscilloscope,

41:36

you're going to render a

41:39

very specific shape in the oscilloscope, which

41:42

has very specific properties. One

41:46

is an actual pentagram. One

41:49

could look like a five

41:52

petal flower. And

41:54

then one is a shape

41:56

that's called the Lisa-Jou curve.

41:59

It's a, a very specific shape. Yeah,

42:02

it has kind of an X in the middle, and then it

42:05

curves around. So, so yeah, so

42:07

these are ancient secrets

42:11

that when

42:13

people were playing music back in the

42:15

day, like in ancient Indian tuning systems,

42:18

the geometries that were coming

42:20

through were these absolutely perfect

42:22

sacred geometry forms before all

42:25

the tuning systems got confused

42:27

and botched. So,

42:30

so yeah, can

42:33

I replicate this myself? Like, can I

42:35

do, I haven't, I haven't ever thought

42:37

about trying this before, but could I take

42:40

like, say the bass guitar and

42:42

tip the amp on its side and put

42:44

a saucepan or a piece of plywood on

42:46

there and a bunch of sand and use

42:48

that and will it, will it make shapes?

42:50

Like, or do you need to have a

42:52

special device? Yeah, so so

42:54

there's quite an array of things you

42:57

can do DIY style. There's

42:59

plenty of YouTube videos

43:01

on DIY cymatics devices,

43:03

which you

43:05

can get all the supplies at the hardware

43:07

store, you can use duct tape, and some

43:09

kind of like a flat surface. And you can

43:12

put that on top of the speaker, you have

43:14

to suspend it in a specific way so that

43:17

it can transmit the vibration.

43:20

And yeah, there's

43:22

a bunch of stuff to dive into on YouTube.

43:25

But anybody could observe

43:27

different types of frequency responses

43:29

through an oscilloscope on

43:32

the computer. And this

43:34

opens up the world of

43:36

understanding harmonics and how harmonics

43:38

behave in the

43:40

micro universe. And

43:43

yeah, you could totally pick any

43:45

two frequencies, you can generate them

43:47

with sine tones,

43:50

you can generate them with square waves,

43:52

you could program your

43:55

harp or your guitar to

43:57

specific frequencies. The other

43:59

day I took

44:01

two tuning forks and they

44:03

were separated by this perfect

44:06

fifth ratio that I discussed which is again

44:08

1.5 and I observed I hit the two

44:10

tuning forks

44:15

together and I observed them in

44:17

the oscilloscope and sure

44:19

enough the shape that was coming through

44:22

depending on the angle of the tuning

44:24

forks it would range

44:26

between like a perfect pentagram

44:28

and then it would kind of

44:30

go into a five

44:32

petal flower and then it

44:35

would go into these slightly

44:37

different forms but yeah

44:41

it's incredible. Wow

44:44

so did this lead lead us

44:46

to you were looking for a petal

44:49

flower right in your research? Yeah

44:55

I am really into this shape I

44:59

can show it to you in the slide

45:01

if you want. Sure should

45:03

be coming up there yeah yeah

45:06

can you see that yeah

45:08

oh yeah there it is right there. So

45:10

I'm really into this shape so

45:14

of course we all know about the

45:16

sacred geometry and the beautiful

45:19

properties held in the seed of life. Is that

45:23

the same as the flower of life or

45:25

is that slightly different? So the flower of

45:27

life would be an expanded version of this with

45:29

more circles but when you're when you have it

45:32

in this basic form with six circles it's

45:34

referred to as the seed of life. That's

45:37

why it's the seed yeah because then you put

45:39

more of them together and it becomes the flower.

45:42

Exactly exactly and

45:45

I really like this shape here which

45:47

I call the seed of light it

45:49

just seems like a appropriate

45:52

name to call it but um

45:54

as you can see these the flower

45:56

shapes in the middle are the exact

45:59

same I always over here in

46:01

the seat of life light. But

46:04

the reason I'm so obsessed with

46:06

this shape is because it creates

46:10

a magnetic field because

46:13

of its perpetual motion

46:15

geometrical properties. And

46:17

there are more and more of these perpetual

46:19

motion geometry papers

46:22

coming out and devices

46:24

that basically use

46:27

the momentum when it's

46:29

falling. Can

46:33

you see my mouse as well or no? A

46:37

little bit, yeah. Oh yeah, there it is, yeah. Okay,

46:41

so yeah, so the perpetual motion means

46:43

this energy

46:46

can perpetually flow through

46:49

this shape here. So the

46:51

momentum of the falling will

46:54

create this cycle where

46:56

it's just self-filling

46:59

itself. And

47:03

this is used for creating a

47:05

magnetic field. It's

47:07

used for entraining your consciousness

47:10

by using your eyes to trace

47:12

this form. And

47:17

these geometries are really special. Like

47:21

if you've ever done any research into

47:23

labyrinths and how a labyrinth uses

47:26

particular geometries in order

47:28

to entrain one's

47:30

neural circuitry into a

47:33

particular etheric flow pattern, then

47:37

you'll feel the power of this. And

47:39

this is only one. And

47:44

the rose curves, which

47:46

I am obsessed with, they

47:49

employ all the different types of

47:52

flowers. So

47:54

you got- So there's the six

47:56

and the right there, right? Or is

47:58

that it? Yeah, so the six. is

48:00

in here somewhere and then

48:03

you have of course the circle and

48:05

there's an infinity I don't

48:07

think it's on here right now but the next

48:10

one would be infinity and then

48:12

you have this structure here and then

48:15

the four and five and six

48:17

so the rose curves are present

48:20

in a lot of

48:23

the oscilloscope renderings of

48:25

the ancient Indian tuning

48:27

systems so the ancient

48:29

Indians were just carving out the ether

48:31

with these beautiful etheric flow patterns and

48:35

yeah some

48:37

of the more modern tuning

48:39

systems aren't this precise and

48:42

energetically in finding those

48:45

ratios that create the harmonics that

48:47

create these geometries in the ether

48:52

but when I first started

48:54

learning about the ancient Indian

48:56

tuning systems and observing the

48:58

ratios in oscilloscopes I

49:01

was blown away because all the

49:03

rose curves were they

49:05

were just there and for some

49:07

reason I couldn't find the sixth

49:10

the one with the six which

49:12

is right here and so

49:15

I had every single flower that

49:18

I had I had

49:20

found like pokemons and

49:24

I couldn't find the six petal flower and when

49:26

you so when you're saying this like you can't

49:29

find this because you're you're playing around with all

49:31

these different frequencies in your oscilloscopes right you're putting

49:33

them together you're looking at all the 3d shapes

49:35

and you're trying to find that that

49:37

yeah yeah it was just like a

49:40

game it became a game

49:42

at some point I mean first and foremost I'm

49:44

an artist so I'm constantly

49:47

looking for the right

49:50

shapes that I can use for art both

49:52

sonically and visually and

49:55

I just really love that shape so much

49:57

and I was on the hunt

49:59

and I was just like, why is the shape evading

50:01

me? Like, how do I find it? And

50:04

then, yeah, finally, eventually, it

50:07

came into my field when

50:10

I was digging into the

50:12

plasmoid unification model frequencies. And

50:15

yeah, finally I found that

50:17

beautiful torus. In

50:20

the plasm, in Malcolm Bendall's plasma

50:22

unification model. Yes. Crazy,

50:24

how did you find that? How did you find the

50:26

model? So

50:29

the ratio between the two frequencies is

50:31

five. Or I

50:33

mean, how did you find Malcolm's work, I guess,

50:35

is just to back up. Oh, yeah. So

50:38

I came across his work last, I

50:41

would say last year at Tesla

50:43

Tech, and

50:45

I was super interested in deep diving into

50:51

unification model because I

50:53

get really obsessed with

50:55

trying to understand numerical

50:57

systems. And

51:02

I just really, if I see a pile of

51:05

numbers, I just, I want

51:07

to understand exactly how and

51:09

why it's,

51:14

you know, relevant. So deep

51:16

dive. I like to kind of control

51:18

birth control things. It's

51:23

the birth of the universe, Darren. It's the birth control

51:26

of the universe. Exactly. Malcolm

51:28

would say. The portal

51:30

that gives birth to

51:32

all form. Right, so

51:34

how did you then sort of find

51:37

your sixth in there? Just

51:41

trial and error and experimentation and

51:44

mapping all of these values, which

51:46

is about 500 frequencies into

51:50

a playable

51:52

synthesizer in Ableton. So

51:58

each one of the colors. solid.

1:00:01

This makes for some rather

1:00:03

interesting results under a strong

1:00:06

vibration. Watch what happens as

1:00:08

I turn up the amp using a 60Hz

1:00:10

wave. Wow!

1:00:15

I

1:00:24

wonder if you could do it with

1:00:26

something that got hard after you. Very

1:00:28

sacred. Yeah. It's definitely

1:00:30

a movement. You

1:00:33

probably got to hit plus 30 feet to see. So

1:00:37

can you hear me now? I'm going to try a different mic. I

1:00:39

can hear you. It's a different mic I'm hearing. Wow, that's pretty crazy.

1:00:42

I mean it looks like a blob. I'm going to be telling you.

1:00:44

It's almost actually thank you. Yeah. I'm

1:00:47

going to do this with the kids. Yeah,

1:00:53

that's every great experiment with

1:00:59

the kids, yeah. Higher frequencies work

1:01:01

as well, but seem to require

1:01:03

a bit more amplification.

1:01:12

I look

1:01:14

like a

1:01:19

worm twirling around on me.

1:01:31

I mean it's anti-gravity almost, right? Or

1:01:33

is it just the vibration? Wake

1:01:40

up in the morning and be a six

1:01:42

foot cymatic creature walking

1:01:44

about. Here's what I used. One

1:01:48

subwoofer speaker with

1:01:51

the center removed and a

1:01:53

plastic dish hot glued to the

1:01:56

rim. To

1:01:58

generate my fear of the And

1:18:01

it's all about honing the practices

1:18:04

that will create more

1:18:06

internal coherence and internal

1:18:08

stillness that will

1:18:11

enable people to be

1:18:13

prolific, both transmitters

1:18:15

of signals and

1:18:17

receivers of divine

1:18:20

transmissions. So it's

1:18:22

part of my life work. I

1:18:25

like it. That's awesome. So

1:18:28

yeah. So from

1:18:30

here, you found

1:18:32

that, yeah, good. You're gonna

1:18:34

go into this now. Yeah. Because this

1:18:36

is a bit crazy. Go ahead. Yeah.

1:18:40

So yeah, I just wanted to start

1:18:44

this off by saying intention

1:18:47

trumps everything. Humans

1:18:51

are so powerful to

1:18:53

encode any creation

1:18:56

with their intention. And that's

1:18:59

part of the life work that I

1:19:02

talked about earlier that I can get into more later. But

1:19:04

no matter what the tuning

1:19:06

system, no matter what

1:19:08

the object, it's all

1:19:11

about the intention of the creator. If

1:19:14

you have a pure intention to

1:19:17

use your music to heal people and you're using

1:19:19

a 440 tuning system, it's

1:19:22

still going to have a prolific healing effect

1:19:24

on people. Period. So just

1:19:26

people just need to know your

1:19:29

intention, your vibration, your

1:19:31

frequency is

1:19:34

more powerful than any incoherent

1:19:38

system. But that

1:19:41

said, knowing

1:19:43

that we're now at

1:19:45

a time where we want

1:19:47

to bind into deeper layers

1:19:49

of meaning into deeper layers

1:19:51

of quantum harmony. We

1:19:54

want to understand this quantum bra. We

1:19:56

want to bind it. We want to

1:19:58

use it to wield energy. And,

1:20:01

you know, many of these, many

1:20:04

of these systems, systems of measurement,

1:20:06

systems of frequency, they

1:20:09

were, and

1:20:13

language, of course, they were

1:20:16

distorted from having a very

1:20:19

deep symbiotic connection

1:20:22

to the fabric of

1:20:24

reality and elementals because

1:20:27

a few

1:20:29

reasons. One, humans

1:20:32

were not evolved enough to

1:20:34

handle the responsibility. It's basically

1:20:36

like giving the keys

1:20:39

to the car to a four-year-old.

1:20:41

They're going to just be using

1:20:43

sound in order to manifest

1:20:46

all kinds of negativity, you

1:20:49

know, they would, they would kill

1:20:51

people with their words. So part of

1:20:53

it, you know, was waiting for

1:20:56

humans to reach a

1:20:59

level of unity consciousness where

1:21:02

they're able to take responsibility for

1:21:04

their creations and for their words

1:21:07

in a manner where they

1:21:09

demonstrate an understanding that everything

1:21:12

they do impacts every, everything

1:21:14

and everyone else. So

1:21:16

if something good happens to me,

1:21:19

it happens to everyone. If something bad, if

1:21:21

I wish bad upon other people, it's, you

1:21:24

know, it's going to come back around. So

1:21:26

that fundamental teaching

1:21:29

needed to be ingrained deeply

1:21:31

into people before they were

1:21:34

given access to these

1:21:36

immense levels of power. But

1:21:39

however, most of the

1:21:41

people who did have

1:21:43

the ability to access

1:21:46

these deep layers of subtle

1:21:48

energies and magic and, you

1:21:52

know, influence the quantum energy

1:21:54

fields, they didn't

1:21:56

want other people to have that power

1:22:00

they wanted to dominate and control the

1:22:02

world. So that's why a lot of

1:22:06

these systems were put

1:22:08

into place for social

1:22:10

destabilization from the core

1:22:12

base units of reality

1:22:15

so people wouldn't have

1:22:18

access to that manifestation power so

1:22:21

that they would be enslaved so

1:22:23

that they'd be less coherent, more

1:22:26

chaotic, more stressed, their energy

1:22:28

would be more harvestable which

1:22:30

is a whole other tangent

1:22:33

and yes it would be

1:22:35

foolish not to acknowledge that there

1:22:37

has been a dark agenda that

1:22:40

has been the undercurrent preventing

1:22:42

humans from stepping into that their

1:22:44

full power but that said you

1:22:48

know move on to taking back

1:22:53

the power by understanding

1:22:55

the power of

1:22:58

quantum harmony and

1:23:00

quantum coherence so

1:23:06

and yeah the 440 was one of many distortions

1:23:09

that was put into

1:23:13

place by this group

1:23:17

who was ultimately trying

1:23:19

to destabilize these

1:23:22

core levels of reality but

1:23:25

again you know we're more

1:23:27

powerful our intentions are way more

1:23:30

powerful than some quantum decoherence so

1:23:32

we can we can override any

1:23:36

of that but now we're

1:23:38

on a new level where

1:23:40

we're trying to connect to

1:23:42

deeper layers of reality

1:23:45

we're trying to connect to

1:23:47

the elementals to the plasmoids

1:23:50

to these fundamental units of

1:23:52

energy that are going to

1:23:54

create this etheric field that's in alignment

1:23:57

with whatever it is we're trying to

1:23:59

bring forth into the world to help,

1:24:01

help, help everyone. So

1:24:06

yeah, the

1:24:09

432 tuning system contains

1:24:11

a lot more of that quantum harmony

1:24:14

that I was talking about. So when

1:24:16

you put the tuning systems

1:24:18

into the oscilloscope, you

1:24:21

can find that the

1:24:23

432 system is just much more

1:24:25

harmonic. It creates more coherent

1:24:28

standing waves in

1:24:31

the base units of the geometry here.

1:24:35

And I think

1:24:37

that the future of music is

1:24:40

not only learning

1:24:43

to employ systems

1:24:45

like this, but it's basically cracking

1:24:47

out of the whole 12-tone ming,

1:24:51

ming, ming matrix.

1:24:55

And understanding

1:24:58

there's an infinite way

1:25:00

we can perceive tonal

1:25:02

relationships. And this is just

1:25:04

one way. And

1:25:12

let's see. And then, yeah, I have this

1:25:14

whole passion about

1:25:16

the Indian tuning systems and

1:25:19

how they create

1:25:22

all kinds of different feelings

1:25:24

and open different

1:25:26

neural circuits just by these

1:25:29

tonal relationships and the emotions

1:25:31

that they're able to conjure.

1:25:35

And yeah, emotions at the core

1:25:37

are just substances,

1:25:40

atomic, nuclear

1:25:42

reactions we call feelings,

1:25:45

which are also generated through

1:25:48

these very particular combinations of

1:25:50

frequencies that our brain just

1:25:53

calls a feeling. So yeah,

1:25:55

432. is

1:26:00

a step up from

1:26:02

440. That's

1:26:06

interesting. Indians had had had that

1:26:08

ancient wisdom because Malcolm, I mean,

1:26:10

he's, you know, he says

1:26:12

he's brought the Vajra back to India, right?

1:26:14

And the Vajras, an interesting item

1:26:17

from from all that lore. So it's

1:26:19

all kind of connecting here. So how did how

1:26:22

did you if can we jump ahead to not

1:26:25

jump ahead, but like get back to the like

1:26:28

how you found going through Malcolm's

1:26:30

numbers, the because there's a couple

1:26:32

of big questions here. How you

1:26:35

found that flower, a six

1:26:37

petaled flower, and also what

1:26:39

you found when you started plugging in

1:26:42

these like 32 numbers from each row

1:26:44

of the frequency table from

1:26:46

the plasma unification model. Totally.

1:26:50

And I just want to demystify

1:26:53

this model for people just a

1:26:55

little bit. Yeah,

1:26:58

sure. To start because I know

1:27:00

it's very intimidating. It's like how did where

1:27:02

did all these numbers come from? But

1:27:05

it's actually once you understand

1:27:07

the formula. You

1:27:10

can really have a deeper appreciation for

1:27:12

this model. So.

1:27:18

If you

1:27:21

start here at this column in

1:27:23

the north, each

1:27:26

one of these numbers represents

1:27:29

a different aspect of reality,

1:27:33

whether it's time,

1:27:35

you know, the speed

1:27:38

of light. The

1:27:42

compass, the 360

1:27:44

degrees on a circle

1:27:47

and a lot of the measurements that this

1:27:49

is represented

1:27:51

in are in this corner,

1:27:53

all the corners. And

1:27:56

they talk about all the correspondences. that

1:28:00

are listed and decoded in the

1:28:02

model. And

1:28:05

this is so, there's so much to get into

1:28:08

in terms of the correspondences, because

1:28:10

in addition to these 10 in

1:28:12

the corner, there

1:28:14

are thousands of

1:28:17

correspondences of how these numbers

1:28:19

keep coming up again and

1:28:21

again in

1:28:23

all of our original time

1:28:25

systems, ancient and modern,

1:28:30

we got the measurements of the

1:28:33

planets here, the

1:28:35

diameter of the sun, of course, is

1:28:38

encoded with the 864,000 miles and the 432. And

1:28:46

everything is just a fractal

1:28:49

of these very specific numerical systems

1:28:51

when you really start breaking it

1:28:54

down. And

1:28:58

so just in terms of how each one of these is

1:29:02

broken down, I would say

1:29:05

always look at this,

1:29:11

the key right here, where

1:29:14

you can see what each line represents.

1:29:17

So let's go ahead and just choose

1:29:19

one. We'll do

1:29:21

light, that's a pretty easy number to deal

1:29:23

with. So 144, line 14. So

1:29:30

we're gonna show you how all

1:29:34

of these numbers in line 14, 144, how all of these

1:29:36

numbers were calculated. And

1:29:45

first thing you do is you take 144 and

1:29:50

you divide it by 32. And

1:29:54

the reason you divide it by 32 is because this very

1:30:00

special number of 32 represents

1:30:03

some very specific angles

1:30:05

and different forces

1:30:07

that basically

1:30:11

each angle of energy reports to one

1:30:13

of these 32 divisions of a circle.

1:30:20

And like Dan

1:30:22

Davidson said, anytime you have

1:30:24

some intersecting lines, the

1:30:27

more lines you add, depending

1:30:30

on the angles of the

1:30:33

intersecting lines, it's going to shift

1:30:35

the magnetic field in a specific

1:30:37

way. So that's

1:30:40

more research for later, but

1:30:42

we're just going to get back to 144

1:30:44

divided by 32. So

1:30:51

144 divided by 32 is 4.5. So

1:30:57

now at this one o'clock, we

1:31:00

have 4.5. And

1:31:04

now we add 4.5 to another 4.5.

1:31:09

And then we get 9. And

1:31:12

then we take 9 and we add 4.5. And

1:31:15

then we get 13.5. And

1:31:18

then we add 4.5 again and again and again and

1:31:21

again. And

1:31:23

then you have all of these values that

1:31:28

are basically fractalizations or

1:31:30

crystallizations of

1:31:33

144 by dividing by 32. And

1:31:37

that goes the same for all of

1:31:39

the lines starting here, which

1:31:41

is line 11,

1:31:44

I think. Yeah.

1:31:49

So basically, that's

1:31:53

the formula for how each

1:31:55

line was derived. Does

1:32:00

that make sense? Yeah, and that helps figure

1:32:02

it out. How can the moods

1:32:04

in the middle? So

1:32:08

yeah, these

1:32:10

are like the primal measurements that

1:32:16

other measurements are based off of. So

1:32:22

yeah, that's like 2,160. And

1:32:28

getting into the correspondences is such

1:32:30

a deep wormhole because it's really

1:32:32

never ending. When you start looking

1:32:34

into one measurement

1:32:36

and finding how that

1:32:38

measurement is encoded into

1:32:42

all these other layers of reality, it's

1:32:45

a deep wormhole. And

1:32:48

yeah, it's

1:32:51

undeniable at some point when

1:32:53

you start looking into all

1:32:55

these correspondences between atomic structures

1:32:57

and units of time, processions

1:33:00

of the equinoxes, measurements of

1:33:02

the planets. And

1:33:05

yeah, it goes really deep.

1:33:09

Yeah, I think an important part of it is

1:33:13

he's included the elements in here, right?

1:33:17

Right. Those are kind of in

1:33:19

here. I don't know how to read that part

1:33:21

of it necessarily. But right. This

1:33:26

part, I'm also still trying to wrap my

1:33:28

head around. Just because

1:33:30

I personally have encountered so

1:33:32

many systems that

1:33:36

are trying to create correspondences between a

1:33:39

color, a sound, and an element. Again,

1:33:45

that's what Terrence Howard was mentioning as well

1:33:47

while he referenced the

1:33:50

work of Walter Russell, who

1:33:52

was creating a correspondence between

1:33:54

a frequency and an

1:33:56

atomic element, for example. And

1:34:01

I think that we're

1:34:03

just right on the precipice of

1:34:05

starting to understand these dynamics, but

1:34:07

that it's not so cut

1:34:10

and dry in this one-to-one relationship

1:34:12

of this frequency generates this elemental.

1:34:15

I think it's more nuanced than that.

1:34:19

And even when I'm

1:34:21

observing the work of Bob

1:34:24

Greenyear, for example, he's observing

1:34:26

all of these nuclear reactions

1:34:29

and particle creations with

1:34:31

different types of conditions,

1:34:34

like different frequencies and things like this.

1:34:38

And from what

1:34:40

I understand, different sounds

1:34:42

can conjure different ratios of

1:34:44

different elementals

1:34:47

and different microparticles.

1:34:51

And it's very

1:34:53

nuanced. And a lot of

1:34:55

it has to do with the context

1:34:58

in which the frequency is being emanated. So

1:35:05

there's so many nuances, and it's

1:35:08

really exciting. Science

1:35:10

is just finally ready to

1:35:13

examine some of these

1:35:15

deep correspondences that have intentionally

1:35:17

been hidden from

1:35:19

our consciousness. We've been distracted from

1:35:22

these fundamental correspondences,

1:35:24

but it's an exciting time.

1:35:26

But in terms of the

1:35:28

color and

1:35:31

frequency, I have

1:35:33

gone deep in the rabbit

1:35:36

hole of the Walter Russell

1:35:38

correspondences, which

1:35:40

have to do with taking

1:35:43

the measurement in terahertz or

1:35:45

nanometers and then

1:35:47

harmonically dividing down until you

1:35:49

reach an audible

1:35:52

frequency range spectrum.

1:35:56

So that is a very interesting and very

1:35:58

common question. compelling

1:36:01

claim. To me,

1:36:03

it's inconclusive because I think

1:36:06

there are many

1:36:08

variables that may

1:36:11

be creating a dissonance

1:36:13

in the translation. And

1:36:15

that has to do

1:36:18

with understanding the wave

1:36:20

propagation equations, understanding

1:36:24

the photonic and

1:36:27

sonic differences in making that

1:36:29

kind of a translation harmonically.

1:36:33

But I have found some pretty compelling cases for

1:36:38

why that could be a

1:36:40

possibility. For

1:36:44

example, I was just on chat GPT the other

1:36:46

day, and I was doing

1:36:49

these equations of

1:36:51

trying to harmonically

1:36:54

downstep the

1:36:56

color orange into an

1:36:58

audible frequency.

1:37:03

And when I

1:37:06

asked chat GPT a few different times, I

1:37:08

know sometimes it's wrong, but

1:37:11

just in terms of

1:37:13

the basic equation of

1:37:15

harmonically downstepping through the

1:37:17

division process, the

1:37:19

measurement of terahertz or

1:37:23

nanometers and converting that into

1:37:26

the audible spectrum. And

1:37:30

at some point,

1:37:33

I did find an interesting correspondence,

1:37:36

because they were giving the

1:37:38

same ranges that I had

1:37:40

found in other claims

1:37:43

for like the heart chakra being,

1:37:46

you know, in this particular

1:37:49

bandwidth of green, which is

1:37:51

like in the 500 range.

1:37:55

So I found some kind of diagonal

1:37:57

correspondences that were interesting. Um,

1:38:00

but ultimately to me, it's

1:38:03

still pretty inconclusive scientifically, but

1:38:06

I think there could be some really

1:38:09

powerful correspondences once

1:38:11

we figure it out. Yeah,

1:38:17

hopefully. I don't know. Can you guys hear me? Yeah.

1:38:26

Hello. My mic's

1:38:28

gone again. Oh yeah. Is

1:38:31

the moon at the middle just because it's the smallest

1:38:34

or is there any sort of symbology to the moon

1:38:36

being at the middle of this thing? Yeah,

1:38:38

I don't know. That's a good question. Because

1:38:43

you know, in the take us model,

1:38:45

the moon is at the middle of

1:38:47

everything. So that's, that's, that's running the

1:38:50

whole thing. So it's, it's

1:38:52

interesting to see that, uh, come

1:38:55

together. Yeah. One

1:38:58

more thing I will say since

1:39:00

we were on the one

1:39:02

144 line, basically that sequence

1:39:07

4.5 nine, and then all these pink numbers here.

1:39:10

So that sequence becomes the

1:39:12

basis of the numbers for

1:39:14

the tonal system. That's

1:39:17

inputted into the sine tone generators and

1:39:19

then into the oscilloscope. To

1:39:24

visualize these beautiful coherent wave

1:39:26

patterns. Um,

1:39:33

oh yeah, but I just wanted to

1:39:35

say this would be considered an

1:39:38

equal temperament system, so a lot of

1:39:40

people get confused about the difference between

1:39:42

the just intonation

1:39:44

system and the equal temperament system.

1:39:46

And some people correlate the equal

1:39:49

temperament with the different equal

1:39:52

temperament with the hacked systems,

1:39:55

but, but

1:39:57

ultimately equal temperament just

1:40:00

means equal spacing between

1:40:02

each one of these

1:40:04

numbers. So this would be

1:40:07

all separated by 4.5. So

1:40:10

that's an equal temperament harmonic

1:40:13

system. However, it's

1:40:15

also considered to

1:40:17

be a just intonation type of

1:40:20

system as well. And

1:40:22

that's because some

1:40:26

of the ratios that are

1:40:28

encoded into this system are

1:40:32

already in these sacred just

1:40:34

intonation ratio systems. So

1:40:37

if you look at these ratios and these

1:40:41

ratios, so just looking at these 1.33, 1.25, those

1:40:43

would be ratios. And

1:40:50

if you literally plugged in any two

1:40:52

numbers into this system,

1:40:57

it would crystallize this 32 pattern, crystallizing

1:41:04

a circle into its 32 angles. So

1:41:08

these major

1:41:11

third, perfect fourth, perfect

1:41:13

fifth, these are already

1:41:15

encoded. So some

1:41:18

equal temperament systems are also just

1:41:21

intonation. So

1:41:24

there's kind of a crossover there. Okay.

1:41:27

And does that have to do with how coherent you're

1:41:30

gonna see it as well? Like if you plug in

1:41:32

32 numbers, if

1:41:34

you plug in 32 random numbers,

1:41:37

it could be quite chaotic, right?

1:41:39

But if you plug in- Absolutely,

1:41:41

yeah, totally. These numbers from Malcolm's

1:41:43

thing, you realize that it was

1:41:45

very coherent, right? Exactly, yeah. So

1:41:47

that brings us to the main

1:41:49

point of the whole visual presentation

1:41:51

that I was trying to pull

1:41:53

up earlier, is that if

1:41:56

you take those 32 numbers, it

1:41:59

will create a lot of confusion.

1:42:01

a coherent and beautiful standing wave

1:42:04

pattern, which is incredibly rare for

1:42:06

any combination of 32

1:42:08

numbers or even two

1:42:10

or three or four numbers would

1:42:13

be total chaos if they're

1:42:16

not harmonically related through these

1:42:18

very specific ratios.

1:42:21

And yeah, as an artist, I

1:42:24

started finding some

1:42:26

of the most beautiful geometries

1:42:28

I've ever seen in my

1:42:30

research. And

1:42:34

some of them were like little

1:42:36

anime characters, little aliens, little beautiful

1:42:40

sacred geometry forms. So

1:42:42

all of these crazy, beautiful

1:42:45

coherent forms started coming through

1:42:48

with all of these different systems or

1:42:52

lines in each one of these.

1:42:55

And each one would be a slightly

1:42:57

different personality or like a different energy.

1:42:59

And I wish I could show you guys,

1:43:02

but like

1:43:04

for example, line 14 was

1:43:06

coming out with these beautiful

1:43:08

snowflake geometries. And then

1:43:11

line 15 was coming out with

1:43:14

all of the weird

1:43:16

alien looking insectoid creatures.

1:43:18

And each one

1:43:20

has a different character or

1:43:23

personality. Interesting.

1:43:27

Yeah, very. So then did you,

1:43:29

and along this way, when

1:43:32

did you find your six petal flower along

1:43:34

this search? Or did you find that right

1:43:36

away? Yeah, that was a

1:43:38

little bit into the search. And

1:43:40

that was, I forget which

1:43:43

line it was right now, but

1:43:47

yeah, that was by just

1:43:49

plugging and

1:43:51

chugging different numbers. I

1:43:55

have this controller here. I don't know

1:43:57

if you guys can see it. It's

1:43:59

like blocking. out. But

1:44:02

yeah so basically I have a controller and I map

1:44:05

all the frequencies

1:44:08

to a different slider so you can

1:44:12

you can bring in and bring

1:44:14

out one frequency

1:44:16

at a time up to 32

1:44:18

at a time. You can have

1:44:20

all 32 frequencies that you have

1:44:23

fully on 100% and if you have all 32 in

1:44:25

one line it's going to be coherent

1:44:31

no matter what which

1:44:33

is incredible. But

1:44:35

yeah I was just playing around with one

1:44:37

of the lines and then finally I found

1:44:39

this magical six pedal figure

1:44:44

and I was really excited

1:44:46

about that. The ratio between

1:44:48

the two numbers is five

1:44:51

so that was interesting. I haven't really

1:44:54

tried it with just any two numbers

1:44:56

that have that ratio but I probably

1:44:59

will try later but

1:45:02

I like the six pedal

1:45:04

flower because the because it

1:45:06

represents like a coherent atomic

1:45:08

structure and

1:45:10

I want to use it to program water

1:45:13

and yeah I really like

1:45:16

it. I

1:45:19

was actually wondering about using those semantics to

1:45:21

program some water. Oh

1:45:24

yeah yeah that's a whole

1:45:26

new field of research as

1:45:28

well for all the scientists on

1:45:30

planet Earth is

1:45:33

to figure out how

1:45:35

we can create more coherence in our

1:45:37

in our water and I

1:45:41

have been experimenting quite a bit

1:45:43

with using the plasma

1:45:47

fields with Paul Harris's

1:45:50

technology Quantify which

1:45:53

I have in my house

1:45:55

at the moment so I

1:45:57

will experiment by inputting different

1:46:00

frequencies and different geometries

1:46:02

into the plasma field. And

1:46:06

that plasma field involves two

1:46:09

Tesla coils. The

1:46:11

Tesla coil is running a

1:46:14

frequency by taking

1:46:16

a digital signal

1:46:19

and converting it into an

1:46:21

analog signal using a digital

1:46:23

to analog converter. So

1:46:26

it's emanating

1:46:28

that frequency through the Tesla coil. Then

1:46:32

there is a glass tubule. The

1:46:35

glass tubule is filled with

1:46:37

a cocktail of inert noble

1:46:39

gases. Different

1:46:42

noble gases create different field

1:46:44

effects. So just like we're

1:46:47

thinking about different combinations of

1:46:49

different frequencies, there's also a

1:46:51

whole universe of different noble

1:46:54

gases. Different combos of

1:46:56

noble gases having different field effects. So

1:46:58

this is a whole other incredible

1:47:01

field of study. And

1:47:03

then finding out different combinations

1:47:06

of frequencies and how those

1:47:08

could be put into the device

1:47:11

in order to influence different combinations

1:47:13

of noble gases. And

1:47:17

yeah, you really can get some

1:47:20

pretty major control over the subtle

1:47:22

energy fields once you start

1:47:24

tapping into this. Wow. Can

1:47:27

you tell us how you reverse engineered that

1:47:29

crop circle with those two

1:47:31

crop circles? Yeah. We

1:47:34

have you here since we were talking about crop circles last

1:47:36

night with Randall. I mean, this might, this

1:47:38

might tip Darren over to my side of the whole

1:47:40

crop circle debate. Right. So

1:47:45

generating different numerical sequences.

1:47:48

So we talked a lot

1:47:50

about how to generate a

1:47:54

numerical sequence using, you know,

1:47:57

the pattern in the plasmoid

1:47:59

unification model. talked about some

1:48:01

patterns found in

1:48:03

432 tuning system and

1:48:06

that would be through doubling

1:48:08

the previous number. I'll just

1:48:11

pull that up real quick.

1:48:16

So this sequence for example would

1:48:19

just be this number doubled equals

1:48:21

this number, doubled equals that number,

1:48:24

doubled equals that number. So this

1:48:26

is a harmonic sequence of doubling

1:48:28

and that's what our tuning system

1:48:31

is based off of. And if

1:48:35

we take it to

1:48:38

another level and we instead of

1:48:41

using doubling we create these

1:48:43

kind of diagonal

1:48:46

planes where we're taking

1:48:48

a number like 1.4 which is about

1:48:51

the square

1:48:54

root of 2, 1.414.

1:48:57

So let's say we wanted to create

1:48:59

this diagonal harmonic of

1:49:01

1.414 which is actually very

1:49:04

very powerful spiral

1:49:06

that I work with a lot. So

1:49:09

that diagonal harmonic would be 1.414 times 1.414

1:49:12

and then you get that value

1:49:19

and then you multiply that by 1.414. So

1:49:21

then you have this new sequence

1:49:26

of numbers that's based

1:49:28

off of a base

1:49:30

value that has some kind

1:49:33

of energetic correspondence

1:49:35

to an energy you're

1:49:37

trying to connect with for whatever reason. So

1:49:42

if you wanted to connect to that energy of

1:49:44

1.414, that's spiral,

1:49:48

then you create that

1:49:50

sequence of numbers and

1:49:53

I'm leading into the crop circle thing because

1:49:55

that's actually exactly one of the sequence that

1:50:00

I used in my experimentation. So

1:50:03

I got this sequence and

1:50:05

I combined it

1:50:07

with another diagonal

1:50:12

plane of harmonics which

1:50:15

was the Fibonacci.

1:50:18

So I took base

1:50:21

numbers, they weren't these

1:50:24

particular ones but they were other

1:50:27

numbers that I found in other relevant

1:50:30

measurements of other sacred structures

1:50:33

and math ratios.

1:50:35

So let's

1:50:38

just, I don't remember what it is right now but let's just say

1:50:40

33. So if you

1:50:43

take 33 and then you multiply that by 1.618, you get that value, you multiply

1:50:51

that by 1.618 and

1:50:54

then you get this other diagonal

1:50:57

harmonic of tonal

1:50:59

relationships and

1:51:02

this is all done

1:51:04

very very strategically. I

1:51:08

considered the two spirals 1.414 and

1:51:10

1.618 to be sort of like a yin and

1:51:13

yang energy where 1.414 square

1:51:23

root of 2 to

1:51:25

me feels like a

1:51:27

more structured perfect

1:51:32

predictable material energy

1:51:36

whereas the 1.618, it's the

1:51:39

Fibonacci, it's ever-changing, it's chaotic

1:51:41

but it's still inherent in

1:51:44

magnetism. So for me

1:51:46

in my process I was just

1:51:48

corresponding like one with electricity

1:51:50

and one with magnetism and then I

1:51:52

was just creating these different grids with

1:51:55

different diagonal

1:51:57

harmonic sequences.

1:52:00

putting those into the oscilloscope

1:52:02

and through that specific combination

1:52:05

of sequences

1:52:08

I was finding some

1:52:11

crop circles and

1:52:14

yeah so that's

1:52:17

that's how I did it in a nutshell.

1:52:19

So you found some of those classic crop

1:52:21

circles in your oscilloscope basically like and then

1:52:23

you remembered that you'd saw them as crop

1:52:26

circles that you could actually match that pattern with a

1:52:28

with an old crop circle kind of thing. Totally

1:52:31

there are some crop circles that

1:52:33

are actually really basic like toroidal

1:52:36

structures that are actually super easy

1:52:38

to generate and then the oscilloscope

1:52:40

with like two frequencies but

1:52:43

then there were a few the

1:52:45

handful in there that were a little

1:52:48

bit more complex that I

1:52:50

was able to find using that experimentation.

1:52:54

Wow interesting.

1:53:00

I remember way back when they used to

1:53:02

say like the square in the circle like

1:53:04

it used to fall they used to follow

1:53:06

these geometrical laws that that are hardly used

1:53:09

by us and yet they were they

1:53:11

were matching these like some crop circles

1:53:13

would match multiple multiple I

1:53:16

don't know if laws is the right word

1:53:18

but mathematical constants maybe or

1:53:20

whatever it was that people like you know

1:53:22

it'd take time to even draw that out

1:53:24

on paper never mind about it in the

1:53:26

field. Absolutely it's

1:53:29

all about these mathematical

1:53:31

ratio based relationships that are

1:53:34

encoding these fundamental energies of

1:53:36

reality and I think you

1:53:38

know just to plant the

1:53:40

seed for people's

1:53:42

experimentation I really

1:53:44

feel like understanding these

1:53:47

ratios are going to

1:53:49

help us encode our deeper

1:53:51

understanding of reality really tuning

1:53:53

in to ratios

1:53:56

and allowing that

1:53:58

to help us understand and geometry,

1:54:01

allowing the geometry to help us

1:54:03

understand the flow of energy and

1:54:05

how it moves through our bodies

1:54:07

and our fields and how we

1:54:09

can wield this understanding of these

1:54:12

primal energies in order to

1:54:14

manifest better. So

1:54:18

yeah, I think it's important to understand

1:54:21

these ratios. Just

1:54:24

to give a really quick explanation

1:54:26

that most people don't

1:54:28

know is all of

1:54:31

the numbers in

1:54:34

our tuning systems are

1:54:37

based off of a ratio

1:54:40

as its most fundamental base

1:54:42

unit. Not in the 440, of course, but

1:54:44

in the 432 tuning systems. And

1:54:51

I say systems because there

1:54:53

are about four or five

1:54:55

that I have really studied

1:54:57

carefully and dived into and

1:54:59

observed different properties

1:55:01

of each one. Like this

1:55:04

one here is actually different

1:55:06

than this one. And

1:55:11

this one here is based off

1:55:13

of most harmonic numbers.

1:55:16

So this tuning system is

1:55:19

an absolute mathematical bombshell

1:55:21

encoding layers of reality. Like

1:55:23

if you knew some of

1:55:25

the correspondences in here and

1:55:27

how this unfolds into itself

1:55:29

as this like

1:55:31

toroidal self-referential

1:55:35

structure, like it's scary.

1:55:37

It'll blow your mind. So

1:55:42

this is one version of the 432 tuning system. And

1:55:47

there's several other ones

1:55:50

floating around on the internet.

1:55:52

And each one has its

1:55:54

own compelling set of

1:55:57

points of attraction that are

1:55:59

all 2

1:58:00

is 1.5. This 1.5 ratio becomes the

1:58:02

base unit that doubled into 3, doubled

1:58:05

into 6, doubled into

1:58:14

12. And so

1:58:16

now this entire key

1:58:18

of G is

1:58:21

based off of this ratio.

1:58:24

And the same with the

1:58:26

D. D is 9 divided by 8. So this

1:58:28

ratio becomes 1.125. 1.125 doubled is 2.25. And then

1:58:41

you keep doubling, you get 9, 18, etc.

1:58:43

But the base value is 9 8th ratio.

1:58:45

That's reduced

1:58:51

to that. And, you

1:58:54

know, same with the F, the 4 over

1:58:56

3. This number is super magical

1:59:01

as well. It's encoded into

1:59:03

many measurements in the

1:59:05

pyramids. And it's

1:59:08

an incredible ratio, 1.33.

1:59:11

So that becomes the base level

1:59:13

for that whole F line. And

1:59:16

so we start really understanding these

1:59:19

primal foundations of harmonies and

1:59:21

tonalities. We can really deepen

1:59:23

our connection to frequency.

1:59:26

Nice. Well said.

1:59:32

Yeah. This is super interesting.

1:59:36

So do you have any plans coming up?

1:59:38

Are you going to the Tesla tech this

1:59:40

summer? I'm not sure. Sorry. I don't know

1:59:42

if it was this summer. I can't remember

1:59:44

when it is. End of August or September.

1:59:46

I think it's in August sometime. Yeah. Right.

1:59:49

Yeah. I'm still not sure.

1:59:51

Maybe. Yeah. So

1:59:54

what have you got? Have you got anything coming up these

1:59:56

days? What are you working on now? music,

2:00:00

research, art, just continuing

2:00:03

on this path every

2:00:05

single day, getting

2:00:08

more downloads. And

2:00:11

just trying to ground it into reality

2:00:14

is my ultimate goal. So figuring

2:00:16

out the best platform, the best

2:00:18

way to express this information is

2:00:21

kind of my main priority right

2:00:23

now, but I'm still

2:00:25

kind of in the beginning of that journey. So

2:00:27

yeah. Yeah. Yeah,

2:00:29

that's the important part. I mean, it's hard to distill

2:00:31

this down so people can understand it. I mean, you're doing

2:00:34

a great job of that. I mean, I think you're

2:00:36

very, it's, I'm wrapping my head

2:00:38

around it for the first time really. So

2:00:40

that's good. But yeah, I think that's important.

2:00:43

Totally. And I wish I had more of

2:00:45

the visuals to show you guys because that

2:00:48

really ties it all together,

2:00:50

but hopefully I'll make some YouTube

2:00:52

videos so people can

2:00:54

get those out. Yeah. Let us know when you

2:00:56

do that and we'll talk about it on one

2:00:58

of our intros because we usually do like sort

2:01:00

of a, whenever something happens with sort of this

2:01:02

type of technology or Malcolm stuff, we talk about

2:01:04

it on the show. So yeah,

2:01:07

let us know. And

2:01:09

people can go back and watch the

2:01:11

cosmic summit video. I'll put the YouTube link

2:01:13

in the show notes because that's got, you're

2:01:15

going through all the oscilloscope

2:01:19

frequencies and showing them all

2:01:21

on there, right? So yeah.

2:01:25

Where can people find your stuff if they want to follow

2:01:27

this stuff more or keep an eye on what you're up

2:01:29

to? So

2:01:32

you can just go to

2:01:34

YouTube and type in ZOSAR

2:01:37

X O S A R.

2:01:40

And hopefully I'm going to

2:01:43

be posting more videos

2:01:45

like this type of content in the

2:01:47

future. In the

2:01:49

past, it's been mostly musical,

2:01:52

musically oriented, but yeah,

2:01:54

it's, it's my life goal to

2:01:56

bring down some of this information

2:01:58

and present it. So just keep

2:02:00

checking on there. All

2:02:03

right. Well, we'll do and, uh, well, yeah, we'll send you

2:02:05

a copy of this too, if you want to use it.

2:02:08

So beautiful. Anything

2:02:11

else? No, this has been great.

2:02:14

I like the, uh, I like those charts. I'm

2:02:16

going to, those are good

2:02:18

ones. I like the, uh, those ratios and stuff

2:02:20

could come in handy and some

2:02:22

of my stuff. So yeah, thanks for coming on the show.

2:02:25

And thank you so much for having

2:02:27

me. It was super fun. Yeah.

2:02:29

Come back anytime. Awesome.

2:02:34

Okay. Have a good night. Yeah. Take

2:02:36

care of you guys. Take care. Sheila.

2:02:38

Take care. Bye. And

2:02:43

that was a chat. She's a ramen. Those

2:02:45

are, uh, what'd you say? Yeah,

2:02:48

man. It's starting to click for me. Yeah.

2:02:50

And we got a chance to go to

2:02:52

go into that plasma unification model, the Puma,

2:02:54

a little bit more so I like it.

2:02:57

Yeah. What'd you think? Yeah,

2:02:59

it was good. I like it. Yeah. It was a fun one.

2:03:02

Um, yeah, it was a good

2:03:04

one. I like, uh, now

2:03:07

all that stuff might come in together. It's

2:03:10

a big thanks to Sheila for coming to the show. Big thanks to

2:03:12

you guys for listening. Even bigger.

2:03:14

Thanks. If you're one of the 1% that

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gonna be amazing. Other

2:04:03

than that, we love you guys. Thanks for listening. And

2:04:06

we will see you next week. Oh

2:04:10

no, I think I've lost my way. Don't

2:04:12

know if I'll ever make it back.

2:04:18

Look at me, I'm no

2:04:21

longer solid. I am abstract.

2:04:25

I blow

2:04:28

on my survival whistle, pointed

2:04:30

the horizon. Mercy

2:04:33

of me is so surprising. My

2:04:35

world is still intact. I

2:04:38

fell out of a hot

2:04:40

air balloon and

2:04:43

landed flat on

2:04:45

a recoup. SOS,

2:04:49

help me soon. SOS,

2:04:53

help me soon. Gotta

2:04:57

find shelter. I feel

2:04:59

like this caterpillar is

2:05:01

mocking me in

2:05:03

his cocoon. Who

2:05:05

made the fire and Plato's cape? Made

2:05:08

the fire and Plato's cape? Never thought

2:05:10

that I'd be safe. Never thought that

2:05:12

I'd be safe. Who made the fire

2:05:15

and Plato's cape? Made the fire and

2:05:17

Plato's cape. Never thought that I'd be

2:05:19

safe. Never thought that I'd be safe

2:05:21

till you came along. Free

2:05:28

me and loved me and shared

2:05:31

with me the beauty

2:05:35

of your world. I've

2:05:37

lost my way. Don't know

2:05:39

if I'll ever make it

2:05:41

back. Look

2:05:45

at me, I'm no longer solid. I

2:05:48

am abstract.

2:05:54

I blow on my survival whistle, pointed

2:05:56

the horizon. surprise

2:06:00

my world is still intact.

2:06:04

Think I ate a

2:06:06

poisonous mushroom, fell

2:06:09

on my bottom, went

2:06:11

boom boom, my

2:06:13

tummy hurts, my

2:06:16

headaches, where

2:06:18

are my angels for goodness

2:06:21

sakes? Did

2:06:23

I pray to the wrong deity?

2:06:27

At least let me die with

2:06:30

dignity. Who

2:06:32

made the fire in Plato's Cape? Made

2:06:34

the fire in Plato's Cape. Never thought

2:06:37

that I'd be saved. Who

2:06:39

made the fire in Plato's

2:06:41

Cape? Made the fire in

2:06:43

Plato's Cape. Never thought that

2:06:45

I'd be saved. Never thought

2:06:47

that I'd be saved until

2:06:49

you-u-u-u-u. Came

2:06:53

along and freed

2:06:55

me, and loved me, and

2:06:58

shared with me the beauty

2:07:00

of your world.

2:07:22

You're my first,

2:07:27

my last,

2:07:30

my last,

2:07:32

my first, my

2:07:34

last. You

2:07:40

are my first, my

2:07:42

last, my last,

2:07:45

my last. You

2:07:50

are my first, my

2:07:52

last, my last, my

2:07:55

last. You

2:07:58

are my first, my last, my last. My

2:08:01

first, my

2:08:03

last, my

2:08:05

everything My

2:08:08

everything, my everything

2:08:17

Who made the fire and the plateaus

2:08:19

cave? Made the fire and plateaus cave

2:08:21

Never thought that I'd be saved Never

2:08:24

thought that I'd be saved Who made

2:08:26

the fire and plateaus cave? Made

2:08:28

the fire and plateaus cave Never

2:08:30

thought that I'd be saved Never

2:08:32

thought that I'd be saved Until you came

2:08:37

along And

2:08:40

freed me and loved me Shared

2:08:44

with me the beauty

2:08:46

of your world And

2:09:58

freed me the beauty of your world