Episode Transcript
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0:01
Ted Audio Collective. You're
0:09
listening to Ted Talks Daily, where we bring
0:12
you new ideas to spark your curiosity every
0:14
day. I'm your host, Elise Hugh. We
0:17
have a standout talk for you today, but you don't
0:19
have to take just my word for it. An
0:21
attendee in the audience for this 2024 talk
0:24
from Felipe Sanchez Luna liked it
0:26
so much that we got them
0:28
to set it up for you. Felipe Sanchez is
0:30
going to give a fantastic experiential
0:33
talk in which you're actually going
0:35
to participate. Curious? Find out
0:38
in this immersive experience coming up
0:40
after the break. Support
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for the show comes from Mint
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Mobile. My daughter is actually on a
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Mint Mobile plan. You know
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when you discover a new binge-worthy TV
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show or a song that just becomes
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an earworm that you play on repeat and you have to
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details. you
2:00
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any team. Jira even helps our team
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to deliver the big ideas our listeners
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leaders the important visibility they need to
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make better business decisions. Get started on
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your next big idea today in Jira.
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Support for the show comes from
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LinkedIn. Where are my B2B marketers
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Terms and conditions apply. LinkedIn,
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the place to be, to be. Like
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TED Talks? You should check out the TED radio
4:00
hour with NPR. Stay tuned after this
4:02
talk to hear a sneak peek of
4:04
this week's episode. And
4:07
now our TED Talk of the Day. The
4:10
world is full of sound. It's
4:16
all around us. All
4:19
the time. If
4:22
it's careful with the design, we can use
4:24
it to tap directly into our feelings and
4:27
evoke a deeper connection to
4:30
ourselves and the world. As
4:34
a group of composers, some designers, creative
4:37
technologies and musicologists, my
4:39
team and I combine all this knowledge
4:41
to create sound experiences that convey stories
4:44
and ideas. We
4:48
use scientific data as musical scores,
4:51
translating complex information into a language
4:53
we can easily understand. We
4:57
work with field recordings, compose linear
4:59
and modern music, and
5:02
use technology to understand, control
5:05
and generate melodies. We
5:09
are merging art, music, technology
5:11
and science into the field of sound
5:13
sonography, using the auditory
5:15
sense to foster an
5:17
emotional understanding of our world. So
5:22
let me take you on a sonic journey of
5:24
music and code, where
5:26
ones and serials are mixed with notes
5:29
and rhythms, and poetry
5:31
meets science. What
5:33
you are about to hear is a combination
5:36
of recordings from nature and our surroundings, data
5:39
and a hydrated music, and
5:42
a lot of human creativity. So
5:46
relax, and if
5:48
you feel comfortable, close your eyes. Take
5:51
a deep breath and
5:53
listen closely. Allow
5:55
yourself to feel. We
6:04
begin in the water. Here
6:26
in the deep, we hear tiny
6:28
creatures, different textures
6:31
or even the contrast between the Atlantic and
6:40
the Pacific Ocean. We
6:48
follow the sounds of seals and
6:50
bring the elusive song of the harbor
6:53
poipers to the range of our human
6:55
hearing. The
7:16
ocean is speaking to us.
7:53
Let's move out of the water into dry
7:56
land and dig deep into the
7:58
earth. Count
8:09
as small animals like earthworms,
8:11
robs and ants they interact,
8:14
they communicate and work tirelessly to
8:16
maintain a perfect ecosystem. Through
8:25
geophones and soil sensors we can
8:27
capture these voices and hear the
8:30
soil singing to us. But
8:41
is our human creativity that
8:43
can interpret, modulate, filter and
8:46
mixes all these recordings with music creating
8:48
a tapestry of sound that is a
8:50
voice to the complex world hidden on
8:53
our feet. From
9:10
here we take flight, high
9:13
into the sky. Feel
9:23
the nighness of traveling through air while
9:25
enjoying the mystical messages carried
9:27
by birdsongs. Let's
9:39
focus our attention on that herd with thrush
9:41
as it sings to us. We
9:47
hear that song is a message that if we
9:49
slow it down we can comprehend. finds
10:00
his voice in this intricate orchestration. And
10:03
while they all play together in perfect harmony, we
10:06
need to find our place in this
10:08
acoustic ecosystem. Let's
10:28
keep moving up into the sky, through
10:33
the atmosphere, into
10:37
the vast emptiness of space. In
10:54
this abstract place, where there is
10:56
no sound, we reach
10:58
only to the power of music to try to
11:00
make sense out of the relationship between sound and
11:03
time. As
11:08
the sound of a voice, we travel to the center of a black hole and
11:11
wonder what will happen to us in
11:13
the presence of this cosmic force. We
11:21
are being stretched, as our musical
11:23
body just falls apart. New
11:25
and old musical concepts collide into a
11:28
timeless sound mass, leaving all
11:30
sense of structure behind. We
11:38
are surrounded by the past, the present and
11:41
the future, all at the
11:43
same time. What information doesn't matter does
11:45
all that meaning. It
12:23
is here, in this emptiness, that
12:26
we find ourselves travelling to a human imagination,
12:29
an infinitely magical place bound
12:31
only by our creativity. We
12:50
hear artificial intelligence making music and
12:53
envision the potential of new collaborations.
13:12
Explosions of sounds and melodies remind
13:14
us of the importance of emotional
13:16
communication, while simultaneously giving
13:18
us an idea of the creative
13:21
process being enhanced by technology. As
13:39
we return from our journey and rejoin one another
13:41
in this room, let
13:44
us embrace the force of human imagination and
13:47
use sound to connect deeper to ourselves and
13:50
to others. Let
13:54
us open ourselves through the transformative power of
13:56
sound and its contribution
13:58
to a new emotional understanding. of
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canva.com. That
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was Felipe Sanchez Luna from the TED 2024
15:07
stage. If you're
15:10
curious about TED's curation, find
15:12
out more at ted.com/curation guidelines.
15:14
And that's it for today. TED
15:17
Talks Daily is part of the
15:19
TED Audio Collective. This episode was
15:21
produced and edited by our team.
15:23
Martha Estefanos, Oliver Friedman, Brian Green,
15:25
Autumn Thompson, and Alejandra Salazar. It
15:27
was mixed by Christopher Faizi-Bogan. Additional
15:30
support from Emma Toppner and Daniela Valareso.
15:32
I'm Elise Hugh. I'll be back tomorrow
15:34
with a fresh idea for your feed.
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the Ted Radio Hour, comedian
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Reggie Watts is a musical
16:15
improv master. Now because this is looping, it
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gives me time to think about what I want to do
16:19
next. But it's not just on stage.
16:22
He applies improv to every decision
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he makes. So we're constantly
16:26
in a gigantic choose-your-own adventure.
16:28
Ideas about how we approach
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life. That's next time
16:33
on the Ted Radio Hour from NPR.
16:35
Subscribe or listen to the Ted Radio
16:37
Hour wherever you get your podcasts.
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